A Gentleman in Moscow

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Authors: Amor Towles
himself that he has made the most of a journey at sea. But in point of fact, he has only exposed himself to a
glimpse
of life on the ship—having utterly ignored those lower levels that teem with life and make the passage possible.
    Nina had not contented herself with the views from the upper decks. She had gone below. Behind. Around. About. In the time that Nina had been in the hotel, the walls had not grown inward, they had grown outward, expanding in scope and intricacy. In her first weeks, the building had grown to encompass the life of two city blocks. In her first months, it had grown to encompass half of Moscow. If she lived in the hotel long enough, it would encompass all of Russia.

    To initiate the Count’s course of study, Nina quite sensibly began at the bottom—the basement and its network of corridors and cul-de-sacs. Tugging open a heavy steel door, she led him first into the boiler room, where billows of steam escaped from a concertina of valves. With the aid of the Count’s handkerchief, she gingerly opened a small cast-iron door in the furnace to reveal the fire that burned day and night, and which happened to be the best place in the hotel to destroy secret messages and illicit love letters.
    â€œYou do receive illicit love letters, Count?”
    â€œMost certainly.”
    Next was the electrical room, where Nina’s admonition that the Count touch nothing was quite unnecessary, since the metallic buzzing and sulfurous smell would have counseled caution to the most reckless of adventurers. There, on the back wall amidst a confusion of wires, Nina showed him the very lever that, when pulled, could throw the ballroom into darkness, providing perfect cover for the snatching of pearls.
    After a turn to the left and two to the right, they came to a small cluttered room—a sort of cabinet of curiosities—showcasing all the items that the hotel’s guests had left behind, such as umbrellas,
Baedekers
, and the weighty novels they had yet to finish but could no longer bear to lug about. While tucked away in the corner, looking no worse for wear, were two small oriental rugs, a standing lamp, and the small satinwood bookcase that the Count had abandoned in his old suite.
    At the far end of the basement, as the Count and Nina approached the narrow back stair, they passed a bright blue door.
    â€œWhat do we have here?” asked the Count.
    Nina looked uncharacteristically flummoxed.
    â€œI don’t think I’ve been inside.”
    The Count tried the knob.
    â€œAh, well. I’m afraid that it’s locked.”
    But Nina looked left and looked right.
    The Count followed suit.
    Then she raised her hands under her hair and unhooked the delicate chain that she wore around her neck. Dangling at the bottom of the golden parabola was the pendant the Count had first observed at the Piazza, but it was neither a lucky charm nor locket. It was a passkey for the hotel!
    Nina slid the key from its chain and handed it to the Count so that he could do the honors. Slipping it through the skull-shaped hole in the escutcheon, the Count turned gently and listened as the tumblers fell into place with a satisfying click. Then he opened the door and Nina gasped, for inside there was a treasure trove.
    Quite literally.
    On shelves that lined the walls from floor to ceiling was the hotel’s silver service, shimmering as if it had been polished that very morning.
    â€œWhat is it all for?” she asked in amazement.
    â€œFor banquets,” replied the Count.
    Alongside the stacks of Sèvres plates bearing the hotel’s insignia were samovars that stood two feet tall and soup tureens that looked like the goblets of the gods. There were coffeepots and gravy boats. There was an assortment of utensils, each of which had been designed with the greatest care to serve a single culinary purpose. From among them, Nina picked up what looked like a delicate spade with a plunger and an

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