The Raw Shark Texts

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Authors: Steven Hall
Tags: General Fiction
flows. To a Ludovician or other conceptual fish, the result will be hundreds of crossing currents with different originators and recipients. The resonant item is obscured, becoming only one of many possible stream destinations, and any thought fish trying to move towards it is likely to be confused, disorientated and misdirected.
    Books of Fact/Books of Fiction : Books of fact provide solid channels of information in many directions. Library books are best because they also link the book itself to every previous reader and any applications of the text. Fiction books also generate illusionary flows of people and events and things that have never been, or maybe have only half-been from a certain point of view. The result is a labyrinth of glass and mirrors which can trap an unwary fish for a great deal of time. I have an old note written by me before I got so vague which says that some of the great and most complicated stories like the Thousand and One Nights are very old protection puzzles, or even idea nets by which ancient peoples would fish for and catch the smaller conceptual fish. I don’t know if this is true or not. Build the books into a small wall around yourself. My notes say three or five books high is best.
    With regret and hope,
The First Eric Sanderson
    (Received: 23rd November)
Letter #60
    Dear Eric,
    As promised, this is the key to the locked room in the house.
    You should reread letters #3, #4, #17, #44, #58 and #59 and follow all procedures before you open the red filing cabinet. The text you will find inside is ‘live’ and extremely dangerous.
    With regret and hope,
    The First Eric Sanderson
    (Received: 30th November)
Letter #67
    Dear Eric,
    As far as I am aware, the conceptual fish do not see physical plants and trees and animals. They do not see the sky or the moon. They only see people, and the things that people make and say and do. The streams of human history, human culture and human thought are their environment. The Ludovician is always looking. I am careful to hide myself, but I am forgetful.
    I’m telling you everything I know before it’s all lost for good.
    With regret and hope,
    The First Eric Sanderson
    (Received: 9th January)
Letter #108
    Dear Eric,
    I just realised, it has been more than three months for you now. More than a hundred of these letters. I hope you can follow them, I am doing all I can.
    Soon you will receive a package containing a light bulb, a videotape and two exercise books. It’s important that you open this package inside a Dictaphone loop because reading the enclosed information will create a strong scent in the waterways.
    The light bulb has been carefully modified to flicker a double-encoded Morse/QWERTY text (more on this later) containing a fragment of your history. As you will see, one of the exercise books contains my work on identifying the type of encryption, the other contains the clean text I have been able to extract so far. There is still more to translate and that task falls to you. The videotape contains the light bulb’s complete flash cycle for decoding purposes, and in case of accident.
    Be very careful with this text. It should be considered ‘live’ at all times. As with all other live documents, ensure it is stored in a post-filled box for safety.
    Regret and hope,
    The First Eric Sanderson
    (Received: 11th January)
Letter #110
    Dear Eric,
    It seems so normal doesn’t it, the writing from my journal about Clio and Greece? I hardly recognise myself. I don’t think I could even write like that anymore. I’ve ended up as a collector’s egg, all the insides and egginess sucked out leaving just an intact and brittle shell, looking just the same, perfectly the same, but not really an egg at all anymore. I don’t know if some of the things I say make sense. When I get to the middle of something I find I’ve lost my grip on one of the ends. Like trying to hang a huge sheet out in the wind, I can’t keep hold of it all at once and parts are

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