Free The Essential Faulkner by William Faulkner Page B

post trader (his name was Ratcliffe; a hundred years later it would still exist in the county, but by that time it had passed through two inheritors who had dispensed with the eye in the transmission of words, using only the ear, so that by the time the fourth one had been compelled by simple necessity to learn to write it again, it had lost the “c” and the final “fe” too) added the laudanum to the keg of whiskey and sent it as a gift from the settlement to the astonished militia sergeant, and returned to the Holston House kitchen to wait until the last of the uproar died; then the law-and-order party made a rapid sortie and gathered up all the comatose opposition, lynchers and captors too, and dumped them all into the jail with the prisoners and locked the door again and went home to bed—until the next morning, when the first arrivals were met by a scene resembling an outdoor stage setting: which was how the legend of the mad Harpes started: a thing not just fantastical but incomprehensible, not just whimsical but a little terrifying (though at least it was bloodless, which would have contented neither Harpe): not just the lock gone from the door nor even just the door gone from the jail, but the entire wall gone, the mud-chinked axe-morticed logs unjointed neatly and quietly in the darkness and stacked as neatly to one side, leaving the jail open to the world like a stage on which the late insurgents still lay sprawled and various in deathlike slumber, the whole settlement gathered now to watch Compson trying to kick at least one of them awake, until one of the Holston slaves—the cook’s husband, the waiter-groom-hostler—ran into the crowd shouting, “Whar de lock, whar de lock, ole Boss say whar de lock.”It was gone (as were three horses belonging to three of the lynching faction). They couldn’t even find the heavy door and the chain, and at first they were almost betrayed into believing that the bandits had had to take the door in order to steal the chain and lock, catching themselves back from the very brink of this wanton accusation of rationality. But the lock was gone; nor did it take the settlement long to realise that it was not the escaped bandits and the aborted reward, but the lock, and not a simple situation which faced them, but a problem which threatened, the slave departing back to the Holston House at a dead run and then reappearing at the dead run almost before the door, the walls, had had time to hide him, engulf and then eject him again, darting through the crowd and up to Compson himself now, saying, “Ole Boss say fetch de lock”—not send the lock, but bring the lock. So Compson and his lieutenants (and this was where the mail rider began to appear, or rather, to emerge—the fragile wisp of a man ageless, hairless and toothless, who looked too frail even to approach a horse, let alone ride one six hundred miles every two weeks, yet who did so, and not only that but had wind enough left not only to announce and precede but even follow his passing with the jeering musical triumph of the horn:—a contempt for possible—probable—despoilers matched only by that for the official dross of which he might be despoiled, and which agreed to remain in civilised bounds only so long as the despoilers had the taste to refrain)—repaired to the kitchen where old Alec still sat before his smoldering log, his back still to the room, and still not turning it this time either. And that was all. He ordered the immediate return of his lock. It was not even an ultimatum, it was a simple instruction, a decree, impersonal, the mail rider now well into the fringe of the group, saying nothing and missing nothing, like a weightless desiccated or fossil bird, not a vulture of course nor even quite ahawk, but say a pterodactyl chick arrested just out of the egg ten glaciers ago and so old in simple infancy as to be the worn and weary ancestor of all subsequent life. They pointed out to old Alec that the