stuff?â
âThe degreaser.â
âWhyâs that?â Porter said.
âTCE is toxic,â the fat man said, arching his eyebrows. âItâs against the r-r-regs.â Arthur Puckman wiped his face with the handkerchief.
âSo who told him to do it?â Coleman asked warily.
âSame guy who makes all the d-d-decisions around here.â
âWhoâs that?â Porter kept the camera trained on him.
âMy b-b-brother.â
Coleman Porter confirmed that the record light was still on, and he moved the camera to be sure the fat man was in the viewfinder. âYouâre saying your brother knew he was breaking the rules?â he asked.
âHe didnât p-p-post MSDS sheets, or use respirators, or b-b-buy safety gloves,â the fat man said, raising his voice now. âI kept t-t-telling him this kind of thing would happen someday.â Arthur Puckman wiped his mouth with a handkerchief.
âWhy didnât he do something about it?â
With weariness akin to remorse, Arthur Puckman answered into the camera. âHeâs the o-o-o-one who makes the decisions. Heâs the one who writes the checksâthe b-b-big shotâthe one who always h-has to be in charge, the one my father trusts. Over the years, I told him a l-l-lot of things. But he ignored me.â
The fat man kept talking, dragging his brother down, blaming him for everything bad that happened, but by then, Coleman Porter had stopped listening. Heâd gotten everything he needed for a scoopâa little local color from the neighbors, footage of the victim being carried on a stretcher, and this special bonusâone brother ratting out the other. This story would run locally, no question, but it might also get picked up. It would be worth a grand, easy, maybe two. It could even lead, which would bring him more work, possibly even reinstatement by the bureau chief whoâd sworn never to put a press pass in the hands of Coleman Porter again. A moment later, the ambulance backed out of the plant, its lights flashing on the walls, its siren drowning out Arthur Puckmanâs words.
Â
From the phone in his truck, Coleman called Billy Patrick. âYou hear about the Puckman factory?â
âWhat about it?â
âOne of the workers went down. Theyâre taking him away in an ambulance.â
âSo what?â Patrick was on his way home, eating a pretzel with his free hand.
âHe sucked in fumes.â
âThatâs too bad, Porter.â
âYeah, very bad. The guy could be dead.â
âWhat are you calling me for?â Patrick said, swallowing.
âI got a crooner,â Coleman Porter told the cop.
âWhat are you talking about?â Patrick asked, taking another bite.
âI got a guy on video,â Porter said, smiling, âsaying it was his brotherâs fault.â
âWhat do you want, a medal?â
Porter had expected a more favorable response than this. âI got the factory owner admitting safety violations,â Porter said. âThis is a fucking homicide, man.â
âIs that your theory?â Patrick was sneering.
âYou want to ignore it, fine. Iâll take it to the media and tell them Philly cops arenât interested in protecting minority workers.â
Billy Patrick had just worked a double shift, and he was only a couple miles from home. The notion of Coleman Porter telling the public anything was almost absurd. Now and then, the freelance photographer came up with something good, but most of the time, he was full of shit. Heâd give you something that sounded interesting on the surface, but it almost always turned out to be bogus. You had to vet everything or risk making a fool out of yourself. âIâve been on the street for twelve hours, and Iâm heading homeââ
âIâm giving you a fucking tip, man. Thatâs what you pretend to pay me for, isnât it?