this?â
âThe money is good.
Very
good. These three, theyâre real players. I canât tell you who they all are, theyâre always masked when we girls enter the room. But I do know von Holindt is one, one of the girls recognised his body from an individual client session. Another one has red hair â red pubic hair,â Celine said, interrupting the rather vivid images that were starting to crowd out Klauserâs thoughts. âBut the other, heâs the real bully, you get the feeling the girls are playing out scenarios heâs lived â and theyâre not pretty.â
âNice guy.â
âNice doesnât pay, sweetie. This Johnnie wears a bullâs mask, really ornate, covering his whole face. Itâs like thatâs part of the turn-on, to be completely enclosed from the neck up. Then I realised it wasnât just his way of
hiding
his identity â it
was
his identity. When he puts that mask on he
becomes
the bull.â Celine wrapped her hand hopefully round his flaccid penis. He removed it.
âHow old?â
âMid-sixties, judging by the rest of him and average height, maybe five ten? And I can tell you heâs not circumcised, but thatâs not going to help you, is it?â
Klauser winced. He hated to think of Celine with another man, but this was worse: the idea of her having to service such perversity â he wanted to protect her, ridiculous he knew, but he couldnât help it. Noticing, she leaned over and kissed his nipple, then smiled up at him.
âHeâs the real puppet-master, this bull guy. The others are always kow-towing to him.â
Klauser thought about Christoph von Holindt, about his public profile, his well-publicised charity works.
âChristoph von Holindt, the epitome of the good bürgher⦠A scandal like that could ruin him.â
âWhich is why itâs better that these guys express their dark side in a professional arena. Truly, us girls deserve medals. Weâre more than just glorified social workers and pleasure workers â weâre exorcists.â
At which Klauser began to laugh â until he realised Celine wasnât joking.
Â
Â
Several waiters circled the chatting journalists and researchers, carrying trays of champagne and canapés. Matthias stood by the huge window looking out over Zürich, a glass in one hand. Heâd just finished a short interview for
Der Stern
when the sudden scent of perfume made him swing round.
âSo is the rumour true that you dance about the laboratory naked playing the flute when youâre really inspired?â The same female paparazzi journalist pushed another full glass of wine into his hand while relieving him of his empty one.
âAn outrageous claim, but actually true â except for the naked partâ¦ââ â Again, Matthias found himself stammering slightly. He peered short-sightedly at her nametag. âFraulein⦠?â
âNames are so defining,â she murmured seductively. âI know nothing about science, but I love musicians, especially when theyâre tall and extraordinary-looking.â She smiled carnivorously at him then pulled a business card from her jacket pocket.
âHere, for when you feel like playing more than just the flute.â She pressed the card into his hand, but by the time he looked up again she was gone, and in her place was the man Jannick had pointed out earlier. At about six foot five he stood over Matthias, a threatening presence despite the grin that now ran over his fleshy lips.
âGreat pitch. You guys really got the goods?â he asked in English, his accent American.
âThe research speaks for itself.â Matthias stepped back; over six foot himself, he wasnât used to this sensation of looking up.
âIâve read it; it looks kosher.â The American swung a huge, bear-like hand towards Matthias. His grip was assured and a
Christopher R. Weingarten