my flesh; still he did not reply. There was drool on his lips and he seemed to be shaking, with cold, or with laughter. I told myself the dampness at my belly was my soaked shirt. I wasn’t walking, or running, I was standing still, still as a dried urine stain. Yet I was drifting, as though bewitched, and the air was a checkerboard of moving points, flashes of color darting by.
His fist suddenly jerked to indicate my windbreaker.
“Jacket?” I asked. The knife was no longer at my belly. There was a sharp pain instead. He threw me a ghoulish grin.
In the wind my jacket inflated like a pneumatic device, as if I were blowing it with a rubber tube in a desperate attempt to escape on a solo flight across the Pacific. It would save me. It would save me, but only if I took it off. I began to undress slowly.
He was wheezing. I could hear words behind the wheeze. “Jack-eet. Jack-eet. Gee-ve-me-your-jack-eet.” They were not words but sounds merging into one roll, one hymn. While he repeated this hymn, I freed one arm and then the next, realizing, too late, that my wallet and my keys were in the jacket pocket. He began to hop; I saw Farhana hopping earlier that day. When my jacket was off he began to skip—away. And then he bolted across the street.
This was worse. He hadn’t taken a thing. He’d double back, follow me home.
I pressed my stomach and my fingers came away sticky. I was bleeding. I did not put the jacket back on but I did remove my wallet and keys. I held the jacket out to him as I crept away.
I must have walked south from Balboa, not north, because I could see the silhouette of the Dutch windmill when I looked over my shoulder for him; there it loomed, at the corner of Golden Gate Park. It was the first time my legs had misled me. He’d disappeared under the bridge, toward the park. I heard hushed footsteps but saw no chin, no gray sweats, and no soiled, thick-soled joggers without laces on the left foot. I only knew I’d been staring at the shoes when I searched for them on my way home.
I don’t remember entering my apartment. I remember smearing my stomach with an antibiotic cream from Matthew’s medicine cabinet (above his pristine toilet), bandaging it, taking two Tylenol, and climbing under the blankets with an icepack, naked and shivering. Farhana didn’t stir, didn’t curl into me.
It was still dark when I woke up again, bleeding. Beside me sat a friend of Farhana’s. His name was Wesley.
Eyes Are Heavy
My parents first saw themselves as a married couple in a mirror. It was considered bad luck to gaze directly into each other’s eyes. This was an invitation to a jinn. But it was good luck to gaze at each other’s reflection. And so, at the wedding, my mother’s sister held a mirror across my mother’s lap and the newlyweds looked down, and, according to my aunt, smiled. “Your mother made a coy attempt at covering her lips so your father could not see how broadly she smiled, though of course, she was sitting next to him. He could hear the smile. And she could hear his.”
The same was true for the slopes of Malika Parbat, Queen of the Mountains. Her lovers were not meant to gaze at her directly. We were meant to gaze at her in the lake.
By the time we crossed the glacier and arrived on the banks of Lake Saiful Maluk, Malika Parbat’s reflection was being admired and broken by a stream of exhausted pilgrims and a dozen boats. Irfan warned Wes and Farhana to avoid the boats, declaring, simply, “They sink.”
It was Malika Parbat’s snowmelt that created the lake that reflected her. Her melt, tossed in with that of the surroundingmountains. If you let your imagination soar, far in the distance to the northwest of the Queen appeared a tiny fragment of what might have been the most photographed and feared peak in the Himalayan chain: Nanga Parbat. Naked Mountain. Or perhaps it was just some mystery mountain that only looked like him, for he was too far away to actually be seen
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain