at him to stop being an idiot and leave it for the firemen, it could go up any second, and he looked at her confused, then realized the sense in what she was saying and jumped down.
They could hear the sirens in the far distance, but they werenât here yet. And Mrs. Baptiste was doing a wonderful job, but Rosie was now scanning the lines of children, who were being shepherded farther and farther away up the hill, and she didnât see them.
She couldnât see Stephen, and she couldnât see Edison.
She glanced at Moray, both of them looking at the smoking, ruined wreck of the Portakabin.
âWe have to go in,â she said. Mrs. Baptiste was already running down the hill.
âNo, youâre right,â said Moray. âWe should wait for the fire brigade, itâs not safe. Mrs. Baptiste, get away from there! Get away at once!â
The usually brusque gray-Âhaired teacher looked up at him.
âBut theyâre not all out,â she said, her voice quavering.
âYouâve done what you can,â said Moray. âGet away, please.â
Mrs. Baptiste shook her head and glanced toward the awful sight of the Portakabin. No more figures were emerging.
âNow,â said Moray, in a voice that brooked no argument.
He turned around.
âEVERYONE GET BACK!â he shouted. âBACK as far as Malikâs! We donât know whether the truck is going to explode! Get back!!â
As he said these words, a helicopter appeared over the side of the hill. A man with a loudspeaker leaned out. He too was shouting, âGET BACK! GET BACK! GET BACK!â He clearly meant Moray and Rosie too, but they ignored him, glanced at each other, and quickly dived into the cabin.
Inside, it was like a vision of hell. Light came through the great rip in the wall, but it only showed a great big cloud of gray dust and shredded paper that made it nearly impossible to see. Rosie heard a whimper, but she couldnât make out where it was coming from. She tore off her apron and tied it around her mouth so she could breathe; she saw Moray do the same with his handkerchief.
âWhoâs there?â she said. Kneeling down she saw Kent, Tinaâs boy, cowering behind the piano, one eye shut and colored black and purple, blood and scratches all over his hands.
âOh darling,â she said. âCan you move?â
Kent looked up at her with his one open eye.
âIt hurts,â he said, terrified. âIt hurts.â
âI know, my love,â said Rosie. âIâm coming for you.â
She clambered over fallen chairs. Sheet music floated through the air.
âCome on,â she said. He was a big boy, but she could still lift him. He winced in pain as she touched his arm and she nodded.
âI know itâs sore,â she said. âAnd the ambulance is going to be here soon and sort this out. But just for now I really, really have to get you out of here.â
Kent swallowed and nodded bravely.
âIâll try not to touch it, okay?â
âOkay.â
She took him in a firemanâs hold around the waist, and as she did so, she started in surprise, for underneath, crouching and rolled up in a ball like a tiny hedgehog, was his twin sister, Emily, with barely a scratch on her.
âDid you cover up your sister?â she asked Kent in shock.
Kent didnât say anything, his bottom lip quivering with the pain.
âOkay, okay, letâs get you out of here,â she said. âEmily, darling, can you walk?â
Emilyâs eyes were huge and white.
âMummy!â she said, in a wobbly voice.
âMummyâs outside,â said Rosie, taking a quick glance through the rip in the wall, where the tanker was still smoking.âMummyâs outside, darling, but we really have to go and get to her quickly, okay? Quickly. Like, now. Weâre going to Mummy, okay?â
The magic word âMummyâ had its effect on the little
Henry James, Ann Radcliffe, J. Sheridan Le Fanu, Gertrude Atherton