Free Spider in the Corner of the Room (The Project Trilogy) by Nikki Owen Page A

you believe it. I believe that you have been through a very traumatic process for someone like you. It is common for people in your position to…fabricate stories. To merge fact with fiction to create your own storyboard. It could be a way of the brain protecting itself from reality.’
    He thinks I am making it up. My eyes dart left and right around the room, at my hands, my legs, my feet. ‘This is not fiction,’ I say, quietly. ‘It is the truth.’
    But he says nothing. Instead, I simply hear the click of his pen as he writes some notes. I rub my eyes. I cannot handle this, cannot cope with the feelings coursing through me.
    The scent of paint is in my nostrils now. It is too much. Standing, I trail my fingers along my bag strap and walk to the window. I stop, hoist it up, longing for air, for a mouthful of freedom. Sunshine blasts in through the bars and hits my face. I inhale. I miss Salamanca. Sometimes I find myself thinking of my childhood home in Spain. Papa with the newspaper on his lap, oranges and lemons fat and ripe in the groves beyond. My brother, Ramon, and I running, shouting. Brown limbs. My calculator in my pocket. My brother crying when I broke his arm by accident. Papa negotiating a settlement between us. Always the lawyer. Mama cradling her Ramon, screaming at me to fetch thedoctor, then apologising later for her anger, an anger that I never fully understood.
    ‘Maria, I would like you to sit down now.’
    I turn. Kurt is clutching a cup of coffee. I do not recall it being delivered. I return to my seat. Kurt taps his Dictaphone.
    ‘We’ll explore your compromised memory later. But for now, tell me what happened when you were taken to the infirmary, following the incident with Michaela Croft. You came across a newspaper article…Is that correct?’
    ‘Yes,’ I reply. Kurt smiles like the sun. I press my lips together. Thinking about my barrister, about what he did to help me—it is hard. ‘The article concerned a QC in London,’ I say finally. ‘He’d recently won an appeal case. The appeal was thought to be futile, yet he was successful in overturning the original verdict.’
    My throat is dry. I reach for the coffee.
    ‘And this QC,’ Kurt says, ‘did you think he might be useful for an appeal?’
    I sip. ‘Yes.’
    ‘And he contested the original DNA evidence, didn’t he?’
    ‘Yes, but—’ I see something. Up there. Another cobweb on the ceiling. I clutch the cup tight. Kurt mentioned a compromised memory. Is that what I am experiencing? Is that what his therapy is uncovering, following the trauma? And so is the cobweb just part of my imagination?
    ‘The QC’s name was Harry Warren. Correct?’
    The cobweb. It looks like the lace headdress my mother would often wear to church for mass or to visit Father Reznik.
    ‘Maria? Did you hear me?’
    ‘Pardon? Oh, I wrote it down,’ I say, focusing again. I place my cup on the table and slip my notebook from my bag. ‘It is all in here.’
    He eyes the writing pad, his gaze probing the cover. ‘Could you read it, please?’
    I open the page, scan the codes, algorithms, procedures, muddled memories, dreams, until I reach the correct date entry. It takes all my concentration not to check if the cobwebs are real.
    I am in the hospital wing hooked up to an IV drip.
    There is bandaging on my torso. I have three broken ribs, two lacerations to my right arm and one to my left. My eyes are bruised and my nose is swollen. CT scans have been done: no bleeding on the brain; my right cheekbone is chipped; my knuckles are scraped. I feel drained, worn out, no energy left in me, no fight, no strength.
    Michaela was in segregation, and now she is in solitary. Following a brief disciplinary hearing, she will remain there for two weeks. Her punishment. Governor Ochoa informed me himself. Twice he has visited me, sitting, watching. I do not know why. He does not say much, just blinks. Not a lot you can say to someone who drifts in and out of