admit it was a mistake, I tried a hundred times to talk to you, but I couldnât. I kept waiting for myself to change. Or you. And then we got to where it didnât seem to matter anymore. So I left it that way. And I couldnât change anything anymore.
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Pause.
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SYLVIA: This is a whole life weâre talking about.
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GELLBURG: But couldnât we ... if I taught you to drive and you could go anywhere you liked.... Or maybe you could find a position you liked... ?
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She is staring ahead.
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We have to sleep together.
SYLVIA: No.
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Gellburg drops to his knees beside the bed, his arms spread awkwardly over her covered body.
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G E LLB U RG: How can this be?
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She is motionless.
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Sylvia? Pause. Do you want to kill me?
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She is staring ahead, he is weeping and shouting.
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Is that it! Speak to me!
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Sylviaâs face is blank, unreadable. He buries his face in the covers, weeping helplessly. She at last reaches out in pity toward the top of his head, and as her hand almost touches...
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Blackout.
SCENE THREE
Caseâs office. Gellburg is seated alone. Case enters, shuffling through a handful of mail. Gellburg has gotten to his feet. Caseâs manner is cold; barely glances up from his mail.
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CASE: Good morning, Gellburg.
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GELLBURG: Good morning, Mr. Case.
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CASE: I understand you wish to see me.
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GELLBURG: There was just something I felt I should say.
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CASE: Certainly. He goes to a chair and sits. Yes?
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GELLBURG: Itâs just that I would never in this world do anything against you or Brooklyn Guarantee. I donât have to tell you, itâs the only place Iâve ever worked in my life. My whole life is here. Iâm more proud of this company than almost anything except my own son. What Iâm trying to say is that this whole business with Wanamakerâs was only because I didnât want to leave a stone unturned. Two or three years from now I didnât want you waking up one morning and Wanamakerâs is gone and there you are paying New York taxes on a building in the middle of a dying neighborhood.
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Case lets him hang there. He begins getting flustered.
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Frankly, I donât even remember what this whole thing was about. I feel Iâve lost some of your confidence, and itâs... well, itâs unfair, I feel.
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CASE: I understand.
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GELLBURG, he waits, but thatâs it: But... but donât you believe me?
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CASE: I think I do.
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GELLBURG: But... you seem to be ... you donât seem...
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CASE: The fact remains that Iâve lost the building.
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GELLBURG: But are you ... I mean youâre not still thinking that I had something going on with Allan Kershowitz, are you?
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CASE: Put it this wayâI hope as time goes on that my old confidence will return. Thatâs about as far as I can go, and I donât think you can blame me, can you. He stands.
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GELLBURG, despite himself his voice rises: But how can I work if youâre this way? You have to trust a man, donât you?
CASE, begins to indicate he must leave: Iâll have to ask you to...
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GELLBURG, shouting: I donât deserve this! You canât do this to me! Itâs not fair, Mr. Case, I had nothing to do with Allan Kershowitz! I hardly know the man! And the little I do know I donât even like him, Iâd certainly never get into a deal with him, for Godâs sake! This is ... this whole thing is ... Exploding: I donât understand it, what is happening, what the hell is happening, what have I got to do with Allan Kershowitz, just because heâs also a Jew?
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CASE, incredulously and angering: What? What on earth are you talking about!
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GELLBURG: Excuse me. I didnât mean that.
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CASE: I donât understand... how could you say a thing like that!
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GELLBURG: Please. I donât feel well, excuse me ...
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CASE, his