see Susannah Sneddon as a Shakespeare,â commented Lettie dryly, âwith scholars arguing over emendations. I think Iâll creep away. That young lady is a bit too inclined to regard me as valuable source material!â
Charlie was about to move away with her towards the road when he saw that there was another couple waiting impatiently beside the little group, obviously hoping to talk to Gerald Suzman. The man was tall, gangling, with a craggy, misshapen face and hideous teeth which obtruded themselves on the observer by their fang-like shape and discoloured state. His wife was small and dumpy, with a puddingy face and faded hair that she let fall around in an apparently random manner. After a moment or two Gerald Suzman saw them and used them to make his escape.
âSomeone else wants to talk to me. Iâm quite happy to discuss the manuscripts any time ,â he said in partingâCharlie thought with particular emphasis to the Scandinavian woman, indeed with a look at her that was almost meaningful. âYes?â he said, turning towards the couple. âDid you want to see me?â
The lanky man bent over him. Charlie moved closer.
âMy name is Felix Potter-Hodge.â
âOh yes?â
âMy grandmother was a great friend of Susannah Sneddonâs.â
âReally?â
Now Mr Suzmanâs interest was genuinely aroused. Hisbody took on a new spryness, tense with interest. He gave them his real as opposed to his token attention.
âHow did they know each other? Was it a literary friendship?â
âOh no. They were at school together, first here in Micklewike, then in Batley Bridge.â
âHow fascinating. A Micklewike girl, then. And did your-grandmother talk much about her friend?â
âShe did occasionally, yes. But she married young and moved to Ilkley, so her memories were mostly of their schooldays.â
âThey could be very valuable. We have very few records of that time.â
âShe never wrote anything down, of course.â
âI imagine not. If only the revival of interest had come earlier . . .â
âBut there are letters!â
âLetters? They corresponded?â
âOh yes. Not frequently, but regularly, over a long period. It was a case of maybe two or three letters a year.â
âAnd you saidâdid you say âthere are lettersâ?â
âOh yes. She kept them all.â
âSheâll be dead by now, of course.â
âYes, she died in 1960. But we inherited them.â
â Really ?â
âWell, we inherited the house. The letters were in an old suitcase in the attic. We might well have thrown them out, but weâd heard her talk of her friend the novelist, and we thought she wouldnât want them destroyed. So we just left them up there.â
âTheyâre still there?â
âActually we brought them down when there began to beall this talk about Susannah Sneddon. Dusted them off, you know, and read a page or two.â
âTheir place is here!â said Gerald Suzman, emphatically and enthusiastically.
The manâs craggy face crumbled into a smile. His place in the Susannah Sneddon story had been acknowledged. His part of her was being exhibited in the light of day.
âWe would be quite happy to lend one or two letters for exhibition,â he said.
âNo, no: they should all be here. As an archive. There are very few letters of the Sneddons in existence that we know of. They didnât have a great many friends. The letters should be hereâI would be happy to make you an offer for them.â
The man turned his stubbled, cavernous face to his wifeâs.
âOh, I donât think weâd want that, would we, Mavis?â
âOh no ,â she said, surprisingly positive. âNo, we didnât think of selling .â
âBut why not? Susannah Sneddon was nothing special to you.â
âWell, but she