opening the evening paper (printed that morning in London), when they came to the office on Friday he could do something to put the affair on a more personal basis. To wipe out the memory of that first unhappy refusal.
The quiet of the old house soothed him. Christina had been closeted in her room for two days, in prayer and meditation, and Aunt Lin was in the kitchen preparing dinner. There was a gay letter from Lettice, his only sister, who had driven a truck for several years of a bloody war, fallen in love with a tall silent Canadian, and was now raising five blond brats in Saskatchewan. âCome out soon, Robin dear,â she finished, âbefore the brats grow up and before the moss grows right round you. You know how bad Aunt Lin is for you!â He could hear her saying it. She and Aunt Lin had never seen eye to eye.
He was smiling, relaxed and reminiscent, when both his quiet and his peace were shattered by the irruption of Nevil.
âWhy didnât you tell me she was like that!â Nevil demanded.
âWho?â
âThe Sharpe woman! Why didnât you tell me?â
âI didnât expect you would meet her,â Robert said. âAll you had to do was drop the letter through the door.â
âThere was nothing in the door to drop it through, so I rang, and they had just come back from wherever they were. Anyhow, she answered it.â
âI thought she slept in the afternoons.â
âI donât believe she ever sleeps. She doesnât belong to the human family at all. She is all compact of fire and metal.â
âI know sheâs a very rude old woman, but you have to make allowances. She has had a very hardââ
âOld? Who are you talking about?â
âOld Mrs. Sharpe, of course.â
âI didnât even see old Mrs. Sharpe. Iâm talking about Marion.â
âMarion Sharpe? And how did you know her name was Marion?â
âShe told me. It does suit her, doesnât it? She couldnât be anything but Marion.â
âYou seem to have become remarkably intimate for a doorstep acquaintance.â
âOh, she gave me tea.â
âTea! I thought you were in a desperate hurry to see a French film.â
âIâm never in a desperate hurry to do anything when a woman like Marion Sharpe invites me to tea. Have you noticed her eyes? But of course you have. Youâre her lawyer. That wonderful shading of grey into hazel. And the way her eyebrows lie above them, like the brushmark of a painter genius. Winged eyebrows, they are. I made a poem about them on the way home. Do you want to hear it?â
âNo,â Robert said firmly. âDid you enjoy your film?â
âOh, I didnât go.â
âYou didnât go!â
âI told you I had tea with Marion instead.â
âYou mean you have been at The Franchise the whole afternoon!â
âI suppose I have,â Nevil said dreamily, âbut, my God, it didnât seem more than seven minutes.â
âAnd what happened to your thirst for French cinema?â
âBut Marion is French film. Even you must see that!â Robert winced at the âeven you.â âWhy bother with the shadow, whenyou can be with the reality? Reality. That is her great quality, isnât it? Iâve never met anyone as real as Marion is.â
âNot even Rosemary?â Robert was in the state known to Aunt Lin as âput out.â
âOh, Rosemary is a darling, and Iâm going to marry her, but that is quite a different thing.â
âIs it?â said Robert, with deceptive meekness.
âOf course. People donât marry women like Marion Sharpe, any more than they marry winds and clouds. Any more than they marry Joan of Arc. Itâs positively blasphemous to consider marriage in relation to a woman like that. She spoke very nicely of you, by the way.â
âThat was kind of her.â
The tone was
James Patterson, Howard Roughan