understated ironic tone the tutor began, âIâm farming you out, Miss Wyley. Youâll be going to a fellow at Corpus, name of Leo Melvern, very sound. He himself is a published poet, of course.â
âIâve never heard of him,â replied Freya.
Mrs Bedford blinked at this, and said, âPerhaps wiser not to communicate that to him straight away. How are you getting on with â everything?â
âPretty well, thanks.â
âI noticed you walking out of college the other day carrying â if Iâm not much mistaken â a pair of boxing gloves. Are you a prizefighter, Miss Wyley?â
âNo, that is, Iâve never got in the ring with anyone. But when I was in the Wrens a man taught me how to punch the bag, and I found I rather enjoyed it.â
âReally?â
âItâs good for keeping weight off, too. I couldnât eat doughnuts and ice cream if I didnât spar now and then.â
Mrs Bedford was frowning uncertainly. âBut surely you could do something less, ah, aggressive â rowing, for instance, or hockey?â
Freya shook her head. âIâm not cut out for team sports, Iâm afraid. I become exasperated too easily. With boxing itâs just oneself and the instructor. Itâs a bit like learning to dance.â
âI see. Well, in the meantime I shall arrange for you to go and see Dr Melvern. I dare say heâll be intrigued to know he has a pugilist to teach. Perhaps he will prepare a
corner
for you. Good day, then.â
Freya liked old âBeddersâ and her sly bantering humour; she wasnât pompous or abrasive like other dons she had met, and she listened to people as though she were actually interested in what they had to say, a courtesy that Freya had not yet mastered for herself. It wouldnât hurt to show her appreciation of the old girl by devoting a little more effort to
Beowulf
when it came up next term.
A few days later the summons came from Leo Melvern at Corpus Christi. His note was typed on vellum paper with the college crest, and appointed the time of their interview with a grave Edwardian formality. Directed up a staircase on the dainty front quad, she found the door to the designated rooms ajar and walked in. A low-lit sitting room had been converted to a study, a wide cliff face of books lowering over an angled desk in the corner. On the sofa sat a delicate pixie-faced youth absorbed in a book, his legs drawn up to his chest. He looked up on Freyaâs entrance and gave her a vague nod. Mrs Bedford had told her to expect a tutorial partner, but it hadnât occurred to her that it would be a male.
âIs this Dr Melvernâs room?â she asked him.
âIt is,â replied the pixie, looking her up and down. He closed his book and stared at her.
Freya privately marked the boy down: you were supposed to stand up when a lady entered a room. (It was one of her fatherâs sacred rules.) In the absence of their host she proceeded to wander around. She stopped at the fireplace to peer at the invitation cards crowding the mantelpiece. A framed certificate occupied the wall above.
ââThe Postgate Prize awarded to Leopold Melvern for his collection
Cold Oblivion and Other Poems
,ââ she read aloud. âPutting âoblivionâ in a titleâs rather tempting fate, isnât it?â
The youth on the sofa wrinkled his nose. âDâyou know the book?â His voice was flat and adenoidal.
âNo. I donât read modern poetry. It gives me a headache.â
âWhat, all of it?â
She pursed her mouth consideringly. âBits of Auden I like. And Louis MacNeice.
Autumn Journal
is very good.â
The youth brooded on this for a moment, then said, âWhat about modern novels?â
Freya gave her most insouciant shrug. âGreene I admire. But I donât feel the urge to study modern literature.â
âWhyâs