yet another. Presently I protested that I could not allow a busy man to waste his time on me, but he would not let me go. He brought out picture after picture. He was a connoisseur. He was pleased to tell me the schools and periods to which they belonged and neat anecdotes about their painters.
“I wish I could think it was possible for you to appreciate my greatest treasures,” he said, pointing to the scrolls that adorned his walls. “Here you have examples of the most perfect calligraphies of China.”
“Do you like them better than paintings?” I asked.
“Infinitely. Their beauty is more chaste. There is nothing meretricious in them. But I can quite understand that a European would have difficulty in appreciating so severe and so delicate anart. Your taste in Chinese things tends a little to the grotesque, I think.”
He produced books of paintings and I turned their leaves. Beautiful things! With the dramatic instinct of the collector he kept to the last the book by which he set most store. It was a series of little pictures of birds and flowers, roughly done with a few strokes, but with such a power of suggestion, with so great a feeling for nature and such a playful tenderness, that it took your breath away. There were sprigs of plum blossom that held in their dainty freshness all the magic of the spring; there were sparrows in whose ruffled plumage were the beat and the tremor of life. It was the work of a great artist.
“Will these American students ever produce anything like this?” he asked with a rueful smile.
But to me the most charming part of it was that I knew all the time that he was a rascal. Corrupt, inefficient, and unscrupulous, he let nothing stand in his way. He was a master of the squeeze. He had acquired a large fortune by the most abominable methods. He was dishonest, cruel, vindictive, and venal. He had certainly had a share in reducing China to the desperate plight which he so sincerely lamented. But when he held in his hand a little vase of the colour of lapis lazuli his fingers seemed to curl about it with a charming tenderness, his melancholy eyes caressed it as they looked, and his lips were slightly parted as though with a sigh of desire.
DINNER PARTIES: LEGATION QUARTER
THE SWISS DIRECTOR of the Banque Sino-Argentine was announced. He came with a large, handsome wife, who displayed her opulent charms so generously that it made you a little nervous. It was said that she had been
a cocotte
, and an English maiden lady (in salmon pink satin and beads) who had come early, greeted her with a thin and frigid smile. The Minister of Guatemala and the Chargé d’Affaires of Montenegro entered together. The Chargé d’Affaires was in a state of extreme agitation; he had not understood that it was an official function, he thought he had been asked to dine
en petit comité
, and he had not put on his orders. And there was the Minister of Guatemala blazing withstars! What in heaven’s name was to be done? The emotion caused by what for a moment seemed almost a diplomatic incident was diverted by the appearance of two Chinese servants in long silk robes and four-sided hats with cocktails and zakouski. Then a Russian princess sailed in. She had white hair and a black silk dress up to her neck. She looked like the heroine of a play by Victorien Sardou who had outlived the melodramatic fury of her youth and now did crochet. She was infinitely bored when you spoke to her of Tolstoi or Chekov; but grew animated when she talked of Jack London. She put a question to the maiden lady which the maiden lady, though no longer young, had no answer for.
“Why,” she asked, “do you English write such silly books about Russia?”
But then the first secretary of the British Legation appeared. He gave his entrance the significance of an event. He was very tall, baldish but elegant, and he was beautifully dressed: he looked with polite astonishment at the dazzling orders of the Minister of Guatemala.