what I looked like through a third eye. Probably like one of my frigginâ paintings.â
He looked offended and furrowed his brow again. âHey, I like your paintings.â
âDo you really?â
âYeah, I do.â
âWhy?â
âI donât know, itâs like you turn your anger into something funny. I donât know how to do that. I mean, my poetry isnât funny.â
âYour tattoo is funny.â
âFuck you,â he said with a smile. The timbre of his voice.
âYour anger is actually kinda sexy, Jimmy.â
âNice to know it makes someone happy.â
âSee? Youâre sarcastic. Thatâs a kind of funny.â
He nodded and sighed.
âIf we were clowns, Jimmy, youâd be like the hobo clown with the frown ⦠and Iâd be like the white facepaint psycho kind.â
He guffawed. âYouâre not as crazy as you think you are.â
âAnd youâre not as serious, Jimmy. You always laugh after you cum.â
âMaybe thatâs because sex is sort of ridiculous once youâve gotten it out of your system.â
âOr maybe we need to have more sex so things are funnier?â Brows high, the question that was my face.
He guffawed again. âYou are crazy.â And he kissed me. And not long after that we were naked and pretty soon we were laughing too.
And then Jimmy was up on his feet and ready to go out for coffee.
And like we did a million times (I wish, but it was more like a few dozen, Jimmy not being here that longâit felt like a million all the same), off weâd go to sit in cafés like two kids with our projects. Heâd lay out his strings, a handful heâd tied to his wrist that morning after removing them from the bike. Me, Iâd sit and sketch up new Marie Antoinette ideas: as Ronald Reagan ( let them eat ketchup ); as a Palestinian teenager ( let them live in refugee camps for three generations ); as two guys having sex ( let them laugh like clowns ).
âYouâre more of a performer than a painter, I think,â Jimmy said.
âIâm no artist, am I, Jimmy? These things are crap.â
He laughed, and then he stopped when he saw I wasnât saying it humorously.
âMaybe you should take an acting class or something.â
âYeah, then we could become porn stars and laugh at each other,â I sighed.
He rolled his eyes. âI just mean itâs good to try something different for a change.â
âLike fight no more forever?â
He nodded with gravity, as if he werenât sure whether I meant it like heâd mean it or if I was just being smart-aleck ironic and/or defensive.
âIâm sorry, Jimmy ⦠I just meant â¦â
Funny till I wasnât. Then Iâd get all apologetic and it would annoy him. âSorry, Jimmy. Good Mr. Jimmy. Sorry to bring you down.â
He knew where that was going. He reached over and shook me hard by the shoulder. âHey. Pull yourself together. Whatâs the matter?â
âI talk too much. I say the wrong shit all the time.â And I shook my head.
âJust stop.â He shrugged. Easy for him to say.
I looked at him. âItâs just the soup, Jimmy.â
âPull.â
âI donât know how to love you,â I said, but in my mind I was singing Jesus Christ Superstar .
He put his finger to his mouth, then leaned across the table and kissed me on the forehead. âThatâs how.â
He went back to his strings, and I pulled.
And pull meant all sorts of things: shut up and pull yourself together; pull the rope of your lifeâbecause Iâd let it all run out all over the floor with my endless chatter. Or it was like skeet-shooting even: pull, concentrate, aim, and fire.
Jimmy in a white T-shirt with his ratty green sweater over it, the dark scruff of his chin running all the way down to his Adamâs apple, which was a red delicious, so
Milly Taiden, Mina Carter