wrenches and a pair of battered leather gloves. He was also wearing one red shoe and one blue shoe, which struck Wilma as being a little odd. âHe doesnât look very happy, does he, Pickle? Perhaps Iâd better write that down. I should also write down where all the exits are, like Mr. Goodman told me. Mind you, itâs quite hard to work it out. Itâs dark back here. Be careful, Pickle, there are ropes everywhere. So Malcolm just walked off over there,â she added, pointing with the end of her pencil. âThatâs to the right of the stage.â
âNo, thatâs stage left,â mumbled Geoffrey, who was dragging a large piece of painted canvas toward them.
Wilma, readying her pencil, followed Geoffreyâs eye line. âBut itâs over there.â Wilma pointed again, toward the door. âThatâs the right.â
âYes.â Geoffrey nodded. âBut right is stage left. And left is stage right.â
âHang on a minute,â said Wilma, putting one hand on her hip. âIs this some sort of hocus-pocus? How can left be right and right be left? Which one is which?â
âWell, to the right is left,â said Geoffrey. âAnd to the left is right. And upstage is the downstage. And downstage is the upstage. Itâs easy when you know how,â he added, before wandering off.
âWell, this complicates everything,â said Wilma, looking both left and right. âUpstage, downstage, stage leftâI donât know whether Iâm coming or going. Whatâs wrong with just saying over there and leaving it at that? And I tell you something else, Pickle. That boy wanted to confuse me. You know what that means . . .â
Pickle snorted.
âThat he may be sneaky. Iâll make a note. And contemplate that later. Oh! This lay-of-the-land business is harder than it looks. Itâs making my head spin.â Wilma heaved a small sigh and chewed her lip. âMaybe we should go and see Scraps,â she wondered, standing back to avoid a large sandbag that was being lowered from a rope above her. âI expect Mr. Goodman would be very pleased if I managed to solve this case in one probing. What do you think, Pickle?â
The beagle, sensing that this was one of those moments where the less he had to do with something, the better, lay on his back and waved his legs in the air.
âSnooping about?â said a voice behind them. Wilma spun around.
âNot snooping, thank you, Janty,â she replied with a sniff. âI am conducting official detective business.â
The boy kicked at a rope with the end of his foot, his dark mop of hair falling forward into his eyes. âBut youâre not an official detective, are you? In fact, from where Iâm standing, youâre nothing at all.â
Wilmaâs lips tightened. Having been at the Institute for Woeful Children for ten years, she knew full well when someone was trying to annoy her. Standing a little taller and straighter, she matched him head-on. âIâm an apprentice. Iâm learning how to be a detective. Rather like how youâre learning to be rotten to the core. One of us is going to achieve something in life. One of us is not.â
Janty glared at Wilma through his heavy bangs. âMy master owns this theatre. Soon heâll own everything. And, when he does, I shall have everything and youâll achieve nothing. I shall see to it.â
âStealing and double dealing is no achievement, Janty. If thatâs the way you do things, then Iâd rather have nothing. Now, if youâll excuse me, I have work to do.â
Janty, sensing that he had been outplayed, grunted and disappeared behind a large painted canvas. Wilma shook her head. âIn my experience,â she explained to Pickle, âwhen boys make a fuss, itâs because they want attention. We must try to make him see sense.â
Pickle snorted again. He understood