once again find the familiar streets and buildings, and a familiar city once again.
From the Divinity Student’s journal, more recently: “I see those cats everywhere now. Last night I think I saw an albino cat. Led me to an infirmary I had not seen before, eerie brick houses and sodium lights. Everytime I go out at night, there they are.”
The garage was only two blocks away, he lurches in and drops onto the gutted frame of an easy chair. Now he’s pulling himself together, finding that again. No more feeling whipped about, he cleans himself out—and then goes to the bucket out back. Who knows how long it’s been?
He drags it inside and sits on the cement floor before it, shedding the day’s last strange fragments, and watching sunset light gild his hand through a cobwebbed window. He removes the cinderblock and the plank. A cold, flat odor out of time, not emerging from the bucket but just all about him instantly, as if it was his own native scent, there it is. The monitor lies inside, already blanching, skin ribbed with folds.
He was brought here—to learn this. He doesn’t know why yet.
No prayers now, only quiet, he reaches in, down, so that his fingers touch the bottom, bringing up the heaviest, richest lees on his fingertips, stinging cold and fuming on his hands and shirt cuffs. He does as Magellan had shown him; he atomizes the formaldehyde with a blow of breath, a nonsense word, sending it out like a sneeze, tiny droplets drift like snow in space, and he lets them fall boiling on his face. He breathes it into him.
For a moment he sits, feeling the vapor creep in his nostrils and down into his chest. A shadow falls past his eyes, a dry voice dusts his ears, whisper past ears into head, dry hands tug at the back of his eyes, clap behind nose, rustle in throat. Dry warmth settles on flesh and skin, cool to the middle, low to the ground, baking earth heats his belly, eyes watching the sides all the time, dry sounds, cracks and wheezes, grass parts in front of him, dry-faced insects scrabble away, dull thud of footsteps, giants streaming all around—light falls in sheets on his face, figures blazing ghosts around him, hollow ground and hollow air, empty noises, hollow, unmoored, gray-faced the Divinity Student tumbles down with his vision’s passing shivering on the garage floor.
nine: the butcher
The Divinity Student wakes with a soft head, lying on a concrete stoop. He was dreaming, a river carrying him away; now he sits up shaking his head alarmed, doesn’t know where he is—walked in his sleep. These are all symptoms of something . . . his mind is too foggy, he can’t remember. Around him, a slanting narrow street with white walls flaring in the sun, small children in cotton trousers running to crest the hill kicking dust, cinnamon brown door at his back; he looks down and sees the notebook in his hand, his thumb still jammed tightly between the pages, holding his place. He opens it and looks at words he doesn’t remember collecting but that touch his memory with vague suggestions—these two leapt at him out of a poolhall eight blocks from here; and that one floated down onto the page like a leaf, a woman speaking to her neighbor from a second-story window, and she let that one word drop clean and clear from a stream of unintelligible gabbling. Sleepwalking, he has collected them himself, without knowing. The Divinity Student stands up and counts—he has gathered more words in one day of sleep than in any day of waking. Why hadn’t he thought of this before?
With uneasy steps he navigates down the street to a crossroads, chickens scattering in his path, complaining in his wake. A kerchiefed woman beats a rug in front of her house singing “La, li, le . . . ” (thump) “ . . . lu, lo . . . ” and he asks her for directions. Red-brown face and fluttering hands heavy over her apron, her soft voice shows him in Spanish, goes back to hitting her rug.
The Divinity Student
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain