definitely should get the Bullshitter of the Year award for that act." He threw his head back and laughed again.
Carr took out his notepad and made some brief entries concerning the interview. He put the pad away. "Do you think she was holding back?"
"Hard to say."
Carr rubbed his hands through his hair. "If LaMonica was going to print counterfeit money, why would he call Rosemary and ask her to 'play a part'?"
"It doesn't make sense," Kelly said. As they drove down Melrose toward the Hollywood freeway, neither man spoke. Kelly signaled, then steered onto a freeway on ramp and accelerated. "I wonder who would pay two thousand dollars for a wood carving of a cunt ?" he said.
Carr shrugged.
"The boss'll be here any minute," said the bearded man standing behind a glass display case filled with cutting mirrors, roach clips, glass beakers, and tiny scales. "He stops by once a week to pick up the till."
"We'll wait," Carr said.
Kelly was busy examining a book he had picked off a wall rack entitled How to Grow Marijuana Indoors. He slammed it back on the rack. Two teenage girls carrying schoolbooks came in the door and wandered over to a display of hollowed-out silver dollars and fake soda cans with secret compartments. They giggled. One nudged the other and nodded at the red-faced, staring Kelly. They giggled again and hurried out the door.
There was the sound of a car pulling up in the alley. A prune-faced man with a sharp chin and elbows shuffled in the back door. The clerk whispered to him. He turned around and faced the T-men. "I'm Teddy Mora," he said gravely. "You people looking for me?" He spun a ring of car keys lewdly around his middle finger.
Carr held out his gold badge. "A prisoner escaped yesterday," he said. "He ran in the front door and out the side door of this place like he knew where he was going." He took a mug-shot photo out of his shirt pocket and handed it to Mora. "Do you know him?" Carr said.
Mora glanced at the photo and handed it back to Carr. "I'm an absentee landlord," he said. "I don't live in Los Angeles. This place is owned by a corporation."
"We figured you might know the guy," Carr interrupted. "His name is Paul LaMonica ."
Teddy Mora shook his head. "Never heard of him. Is there anything else?"
"Yeah," Kelly said, examining a hashish pipe on the counter. "How long do you think it'll be before you'll be able to sell dope to the kiddies right along with all the paraphernalia?"
Teddy Mora twirled the car keys. His gaze shifted from Carr to Kelly and back to Carr. "Is that about it? I have things to do around here."
" LaMonica's a fugitive," Carr said. "We're real interested in finding him. You've been around long enough to know what I mean. If we can't find him, we'll be back. And that's a promise not a threat."
Ignoring them, Mora turned and spoke casually to his clerk. The agents exited the front door.
Kelly drove along Hollywood Boulevard on the way back downtown. When they stopped at a red light, there were straggly-haired teenage boys on each of the four street corners. One of the young men gave a groin-pump greeting to a passing convertible driven by an older man wearing dark glasses. The man pulled the convertible to the curb and the boy approached.
"Child prostitutes, stores that sell dope fixings..." Kelly muttered in a defeated tone. "The whole country is turning to shit. Sometimes I think I'd like to take my wife and kids, chuck everything, and live up in the mountains away from it all. No mind-rotting TV, no forced busing, no dope." He shook his bear-sized head.
" LaMonica comes into town," Carr said, staring at the road ahead. "He stops by the Castaways Lounge and meets with Teddy Mora. They talk business. Linda gets her hooks in and invites him over-"
"For one of her Mata Hari -style interrogations," Kelly interrupted.
" LaMonica makes a telephone call from her place," Carr continued, "and uses the name Bob French. He tells her he plans to leave town the next