named Finnâa naked Yalie with curly red hair and chewed-up nailsâwhoâs kind of dull and looks like a cross between Richard Simmons and Little Orphan Annie. But does that stop me from making out with him?
Sadly, no.
8
W hen I get home from the party, I find a cream-colored envelope on my bed. I tear it open. Inside is a note written in Agnesâs perfect cursive:
Sarah,
I need to talk to you. Itâs important.
Call me ASAP.
Agnes
I pick up the receiver on my desk and dial Agnesâs cell.
Five minutes later, sheâs at my door. She looks flustered and her white button-down shirt is slightly wrinkled. Right next to her nose is a huge zit, haphazardly covered with a big glob of cakey concealer. Funny, I didnât notice that earlier. I didnât think Agnes ever got zits. She must be stressed. I try not to stare at it (though itâs difficult)ânot because it would embarrass her, but because staring at zits is a risky thing to do. If I so much as look at a zit, or even think about zits, Iâll wake up with my very own cystic nightmare the next morning. Zits are telepathically contagious.
âYouâre looking at my blemish,â Agnes says accusingly.
âNo, I wasnât.â
âI saw you looking at it.â
âI wasnât looking at anything,â I say, keeping my eyes locked on hers.
âWell, donât look at it.â
âI wonât.â
âFine.â
âSo, are you going to tell me whatâs going on?â
âNot here. Letâs go for a drive.â
âItâs late,â I say, yawning emphatically. âI donât want to go out again. Canât we just talk here?â
âToo risky.â
I feel a twinge of anxiety. âWhy? Whatâs going on? Is it Maddy?â
âMaddyâs fine. Sheâs sleeping. Letâs go to that diner next to the highway.â
âNo,â I say a little too quickly. I canât risk running into Scissorhands.
âWhy not?â
I shrug.
âCome on.â
âFine,â I say. But damn, heâd better not be there.
Everything at the diner looks exactly the same, including the people. The same frizzy-haired waitresses. The same greasy truckers.
The waitress leads us to our table. I scan the diner one more time to make sure Scissorhands isnât hiding in a corner booth. When I see that he isnât, I feel an unexpected surge of disappointment. I sit down opposite Agnes.
âSo, are you going to tell me what this is all about?â I ask after weâve ordered. Paranoid as ever, Agnes refused to talk about Maddy in the car. To Agnes, it makes more sense to talk about private matters in bright, crowded diners.
She looks at me. âI wanted to tell you what really happened last week. You probably figured out we werenât just furniture shopping the whole time.â
âThat was pretty obvious,â I say.
âWe did shop on the last dayâyesterday. God, it feels so long ago. But the rest of the time we were in Vermont.â
I think of trees and outlet malls and people dressed in L.L. Bean. âWhat were you doing there?â
âWell,â she says, licking her lips, âremember how hysterical Maddy was that night she stormed off?â
âYou mean, after you bad-mouthed Sebastian?â
âI didnât bad-mouth him. But Iâm no fan, thatâs for sure.â She looks out the window, then back at me. âI thought Maddy was having a breakdown that night. She can be pretty unstable at times. It worries me. Did you become obsessed with death after your parents passed away?â
My right eyelid starts to twitch, and I blush with shame. âMy parents arenât actually dead.â I look away. âBut they might as well be.â
âI see.â She seems both unfazed and uninterested. Which means there will be no further questions. Thank God.
The waitress appears out of nowhere
David Hitt, Heather R. Smith