Free A Useless Man by Sait Faik Abasiyanik Page A

That must be the building they were tearing down. I felt an overwhelming desire to go to a hamam.
    Well, it seems there’s no harm in saying it, seeing that I’ve already embarrassed myself enough: I hadn’t washed in seven years. In all that time it never even crossed my mind. But now I was itching, a terrible itching allover! I thought I had fleas. So I went into the hamam and I washed, oh how I washed! I washed off all the years of caked filth. I felt much better when I was done. But the sweat, so much sweat! Everywhere I rubbed I was sure to peel off bits of skin, grease, grime, or whatever it was. I was shocked at how much grease and grime a human being could carry. My skin was positively caked with it.
    I left the hamam and got on the tram, thinking that I’d go home and then back out to Teşvikiye and the surrounding districts. But once my head hit the pillow I fell asleep and slept for a full twenty-four hours. I woke up the next day at two and hurried out for a bowl of tripe soup.
    “God praise, Mansur Bey, you look the picture of perfect health,” Bayram said.
    I couldn’t tell him I’d been to a hamam. I asked for soup without garlic. Then I went for my stroll. I was in Maçka by nightfall. A different world entirely. Back home I promised myself I wouldn’t leave my neighborhood for another seven years, but it didn’t happen that way. Something was making my head spin, and for the next two days my life made no sense. Can you guess what I got to thinking? That I’d sell our store and my apartment. And you know that nightclub I was telling you about, the one with the live music? And that girl working outside taking orders, you know the one with the small forehead. Well, I’d take her as my lover. And a year after that I’d die.
    I’d jump on a Bosphorus boat one day, taking my seat on one of those benches at the back, and somewhere near Arnavutköy or Bebek, I’d stand up, check to make sure no one was looking and, if I was alone, I’d climb over the railing and jump into the sea.

Papaz Efendi

    The church was just across the street from us. It was hemmed in by pines, which at twilight would sink into shadow, leaving the brick walls of the church to glow red and hot against a dark blue sky. Often we’d see a crow or a poet seagull landing beside the cross on the roof, which, lacking a bell tower, had been restored many hundreds of times by Greek master builders of the Orthodox faith (or others oblivious to it), and at times like these it seemed more like the home of a Byzantine feudal lord than a church. It wasn’t an ugly building, but it wasn’t pretty either. It had only one main dome; where there should have been smaller domes, there were holes and crenels that looked like gutters. By day it all looked rather crude and tired, but when the evening blues and greens turned dark enough to seep into the color of the tiles, the church looked so close you almost thought you could reach out and grasp the cross on the top and pull away the entire tableau, without so much as frightening a bird away, to stencil it onto a dark blue background in your notebook or hang it on your wall, to savor forever after. That’s how the church looked to me on May evenings. As a child I was always trying to get those evenings onto the page, perhaps I lamented the fact I wasn’t a painter or a child putting stickers in his notebook. The belltower was in the front yard, though you couldn’t really call such a thing a bell tower. It had two bells: a big one that rang on the days someone died and a small one that rang to announce ferryboat and prayer times to the village. I first saw Papaz Efendi sitting cross-legged with a black hat in his lap on a board between two pines, a little behind the bells. His beard was pitch-black, and so were his eyes. He was wearing a raw silk shirt that he seemed to have slipped into without using his hands. It shimmered in the sunlight. The greasy tufts of hair hanging over his forehead