little chat about old Max.â
âThe Duke of Olympia, do you mean?â
âDo you know, I canât quite bring myself to call him that. The last time I saw Max, he was neck-deep in some damned filthy hole in the ground in Mesopotamia, swearing in five different languages.â
I shrugged. âIâve never met him at all.â
âNever? How extraordinary. And now here you are, steaming across the Med to his rescue, in his own private yacht, eating his porridge and listening to his phonograph recordings, except he doesnât know he owns any of it yet.â Silverton levered himself away from the cabinet and collapsed crosswise into an armchair, allowing himself a splendid vantage of the rain-dashed dome. âThe captain informs me weâll hurtle into the Aegean around daybreak, so itâs now or never, so to speak.â
âWhatâs now or never?â
âWhy, sorting out how we go about this business of tracking down the needle that is Max inside the haystack that is the bloody Mediterranean Sea.â
âI thought he was in Crete.â
âHa! You donât know Max.â He reached into his jacket pocket and pulled out a small white ball, which he flung into the air and caught with the other hand, before flinging it up again to be caught in the first hand. âIf he hears some rumor about a butterflyâs wings touching a Rosetta stone in Alexandria, heâs off on the next tide, like the cat who . . . who . . .â The ball paused in his hand.
âAte the canary?â
âNo, no.â
âWalked by himself?â
âNo, dash it. Something to do with yarn.â He shook his head and sent the ball back into the air. âWell, itâs gone now. But you know what I mean.â
âI donât believe I do. In any case, the Rosetta stone is now safe inside the sturdy walls of the British Museum, thank goodness, andâ What
is
that?â
âThis?â He held up the ball. âItâs a cricket ball, of course.â
âBut why on earth are you flinging it about like that?â
âFor sport, Truelove.â He tapped his wide golden forehead with the ball. âI find it greases the old gears when the mechanismâs got stuck. Perhaps you ought to try it. You look as if you could use a bit of mental focus, at the moment. All pink about the cheeks and green about the gills. Rather ghastly, in a charming sort of way.
Think
, now. Why might upstanding Max leave his Cretan post in the middle of winter, without leaving word to his nearest and dearest?â
âHas he
really
left it? We only know for certain that heâs not replied to anyoneâs messages. Perhaps heâs been busy. Itâs not impossible that he hasnât even received these messages to begin with.â
âThere is the matter of the Greek official, to whom heâs delinquent in sending his regular reports.â
âHe may have his own reasons for that.â
Smack
went the cricket ball into Silvertonâs left palm. âBy George, if youâre not swimming in optimism this afternoon. Determined not to fear the worst, are you?â
âI see no reason to borrow trouble. Thereâs usually a simple explanation for these conundrums.â
âConundrum.â
Smack.
âNow thereâs a splendid word. I do like a splendid word now and again. Makes one feel as if words actually matter. So I suppose the first person we should interview is this Greek chap whoâs got his fustanella up around his ears about those missing reports. Heâll be as crooked as a mountain path, of courseâyour petty Mediterranean officials always areâand probably expect a handsome gratuity in exchange for any useful information, unless we can contrive, between the two of us, to make him drunk enough to empty his brain for free.â
âCertainly not,â I said indignantly.
He tilted his head in my