Needlessly brutal. Quite without regard for her modesty.
The doctor bends over her, blocking Dunlopâs view. His jaw is tight, a whitish margin around his mouth within his florid face. Behind him, Dunlop mutters something about not wanting to undo all your good work and for a split-second the doctorâs glassy stare sharpens to check her reaction. It doesnât take her long to work it out. He has been boasting of winning her confidence, dropping nuggets of intelligence into his reports. She has told him nothing that matters. What difference can it make if they know about her early rheumatic fever, or her motherâs disapproval of militant action? Nevertheless, to have told him anything now seems an error of judgement. This too is more than she can bear.
She fights him, really fights him, trying to sit up. The wardress canât get close enough to help him and Dunlop doesnât try. Doctor Watson warns her she is growing excited. This agitation is not good for her. She must lie back so he can sound her chest. His would-be calm demeanour fools no one. The tendons in his neck are taut, his breath smells violently metallic. She too is out of her depth, past the point of histrionics, revolted by what he has done to her, the talking no less than the feeding, all that cant about cowardly politicians at odds with the public good. The cynicism of it rises within her, filling her throat.
She vomits over his legs. Considering the length of time since her last feed, the quantity is remarkable.
He shouts, âYou did that on purpose !â
âI wish I had!â
His face contorts in rage and disgust. âYou are out of order.â
âTake your hands off me!â
âWill you lie down! â
Is Doctor Dunlop reminded of anything, as he watches this scene; might he even feel a pang of exclusion? How like it is to marriage, the uninhibited passion in their voices, the murderous vigour in their limbs. Neither hears Dunlopâs cough, his sotto voce warning. The medical officer handles her as roughly as he would a man, using all his might to overpower her.
She screams at him, âYouâre hurting me.â
âAnd you are putting on a show for the company.â
She sinks her teeth into his hand.
âDamn you!â he roars. His arm draws back. Not the flat of his hand, but a fist.
âDoctor Watson! Calm yourself.â
The arm drops, the blow unstruck, a cloudiness in both their faces, as if wrenched out of a dream.
Dunlop takes over, despatching the doctor to change his sodden trousers. A wardress arrives to help, but by now Prisoner Scott is docile. She reclines on the mattress, a fetching colour in her cheeks.
That afternoon, when Dunlop has departed and Doctor Watson is absent on his rounds, Arabella gets out of bed. Immediately, the wardress is upon her, dragging her back. No matter. She has stood on her own two feet again.
Â
With me, he sulked. Silent days, weeks, months on end. When he spoke at last, I had to smile as if it were a day like any other. As if his moods were as unchallengeable as the weather. If I dared to remark on the change, he withdrew again. I could not rouse him to violence, or any other passion.
NINE
The doctor believes the prisonerâs resistance may be dietary in origin. He will try three tablespoons of sugar, not four, in the pint and a half of eggy milk, plus regular soap-and-water enemas. The wardresses grumble about cleaning her up, but sheâs always quiet after, purged of the irritability that so disturbs her rest. He goes over the Governorâs head to the Commission and gains approval for two wardresses to remain with her at all times. Any movement seems to excite her, jeopardising her health. There will be no turning a blind eye when she rolls onto her side. Even in sleep, she will obey doctorâs orders.
He sees now he has been too lax with her. What he called humanity was weakness. He wonât make that mistake again.
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain