Bridge for Passing

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Authors: Pearl S. Buck
one is to be patient with others, one must also be patient with one’s self.
    I did not learn this lesson all at once. I was often impatient with myself, and with myself above all others, until I realized, I think through the practice of music, that learning is a day-by-day process. One can work fourteen hours solidly on memorizing a Beethoven sonata for a single performance, but this learning is not permanent. To hold the music forever in one’s mental grasp, it must also be absorbed spiritually—that is to say, it must become a part of one’s being over a period of time and through continuing practice. What I had to discover about solitude, what I had to learn about its use, its meaning, was only to be acquired through daily life and new experience. Going to the theater alone, for example, had taken effort when he was no longer able to go with me. We loved the theater, he and I, and some of our happiest hours were spent there. To laugh together through a Gilbert and Sullivan evening—well, he loved Gilbert and Sullivan and could play and sing those operettas by the hour, and all our children knew the songs. I had to learn to enjoy them, for they were foreign to me. But we were eclectic and enjoyed theater, whatever it was, indignant only when a play was so obviously tripe that it was a desecration of a noble and ancient art. He would certainly have been disappointed with me, not to say disgusted, if I had given up theater because I must go alone. Flashes of this sort of incidental perception broke irrelevantly into my mind, and I put them off. Day by day was the way I had long ago learned to live and today was here, thousands of feet above the earth, enclosed in this swiftly moving silver shell, surrounded by people I had never seen before and probably never would see again.
    There is a comfort at once superficial and organic in the necessities of washing and clothing the body, in eating and drinking. It seemed to me when I faced the mirror that never again would I care about how I looked, since I would never again hear his words of appreciation and praise. I knew of course that I could not trust him for truth on that score. He was too generous, and no one else could possibly see me as he did. I did not for a moment believe I was at all what he said I was. As a woman, nevertheless, I liked to hear even what I knew could not be true and so long as he believed it, what did it matter?
    Was this same face the one I had been compelled to look at for so many years? I was another person, and the face must belong to someone else. Nevertheless I washed and made it up as usual and took the habitual care with my long hair. That hair! Even as a little girl it was my bane, always long and soft and tangled. In those days it was honey yellow and my mother would not cut it, and she coaxed me when I cried and praised me when she had combed it out and tied a ribbon about my head. She made curls when I was small and then long braids and I longed for the day when I was grown up and could cut it all off and I did, as soon as I could, and then let it grow again because he wanted it long. Now I could cut it again, since he would never see it, and then knew at the same moment that I never would cut it, although its length was silver instead of gold. Without caring in the least, my hands did their habitual task and I could not believe, when I looked in the mirror, that I looked the same, after all, but I did.
    When I returned to my seat, the stewardess gave me breakfast and I could smell the coffee and bacon and toast. Though the spirit was remote and took no part in any of this, the body performed as usual. O cruel flesh!
    And everyone in the jet was awake now and I knew no one and no one knew me, for which I was grateful. The stewardess took the breakfast tray away at last, half-finished, and I tried to read a Japanese novel and then put it away. I did not want a love story or even a story of human beings and I opened my dressing case and

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