Free Preston Falls : a novel by 1947- David Gates Page A

over the sheetrock in modernistic swirls. Probably the same asshole who nailed particleboard over the foot-wide floorboards upstairs, for carpeting he never put down. Asshole, though: that's a little harsh. Really just somebody doing his best to make an old house less depressing by his lights. So Willis is going to expose the beams, which he hopes are hand-hewn, then frame around them with two-by-fours and cut sheetrock to fit in between. True, this chichi severity is basically bullshit. But if not that, then what? He's asked Jean, who went to fucking Pratt, for Christ's sake, and now spends her days advising those sharks she works for on exactly this kind of shit. What color to paint the walls in the fucking shark tank. She told him, "Do what you want."
    He brings the stepladder and his toolbelt in from the woodshed, then starts moving shit out of the living room. He carries the armchair into the dining room, along with the oak end table he doesn't like but belonged to Grandma Willis, and the lamp that goes on it. The books, Jesus. He ends up just putting them out in the hall, in tall, tottering Dr. Seuss pfles, and stacks the bricks and boards out there too. The boards he'U recycle when he gets around to doing built-in bookcases. And the blanket chest they use as a coffee table? Well, how about up in the bedroom, at the foot of the bed. Like the fucking blanket chest it is.
    Which leaves the sofa. Maybe just throw some plastic over it and

    PRESTON FALLS
    work around the fucker. But when you get a room this close to empty you want it fucking empty, so he decides to wrestle the cocksucker out into the hall. It's so wide he has to slip the pins and take off the door between the hall and the living room, and as it is the son of a bitch makes it with about that much to spare. He wedges it catty-corner, which blocks the front door, but at least you can squeeze past to get upstairs. Good. He brings the floor lamp in and lifts it over into the triangular space behind the sofa. Makes a cozy little nook.
    "So what do you think, bro?" he says to Rathbone. "C'mere." Rathbone pads over, toenails clicking on the bare floorboards. "Our new headquarters—okay, bud?" He pats a sofa cushion; Rathbone climbs up, settles and sighs, chin on the cushion but eyes open. Willis goes back into the living room: dead empty. Okay. Ready to rock and roll.
    He buckles on his toolbelt, picks up the decking hammer and, standing in the middle of the empty room, takes a two-handed swing at the ceiling like fucking Thor, the heavy head plowing claws-first into sheetrock.
    Except it doesn't feel satisfying. And there's just a pissy little foot-long gash the width of the hammerhead.
    He pokes the claws into the gash and rips, which is supposed to make a heroic expanse of ceiling buckle and come thundering down; it only busts out a little piece the size of a saucer. This is not fucking working. He grabs the stepladder and climbs up to tear at the gash with his hands: just a few more dipshit pieces. He gets down off the stepladder and tries the hammer again. Maybe if he can smash across in a straight line, perforate the son of a bitch, he can pull down a huge fucking section. What it is, he really doesn't know how to do this. And meanwhile all the dirt and mouseshit from up under the ceiling is falling into his face and he's coughing like a fucking miner—and can't you die of some virus that's carried in dried mouseshit?
    So he goes looking for the fucking dust masks he bought last year and used one of and put the rest someplace, but he can't find the cock-suckers. He thrusts the hammer back into the loop of his toolbelt, stomps upstairs, paws through the laundry bag to find a dirty t-shirt, and brings it back down to the living room. He drapes it over his nose and mouth so he looks like a fucking harem girl, ties the son of a bitch around back of his neck by the fucking sleeves—which of course fogs his fucking glasses because he's sweating like a pig because