Flesh and Blood

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Authors: Patricia Cornwell
strike. A heart attack. A wrong place. A wrong time.
    “You … You saw Jamal,” she says to me. “What happened to him? He was shot?”
    “Preliminarily that’s the way it looks. I’m very sorry.”
    “The way it looks? You don’t know?”
    “He needs to be examined. Then I’ll have answers I can be sure of.” I’m next to her now as if she’s in my care, and I tell her I regret that I don’t have more information at the moment.
    I repeat how sorry I am for her terrible loss. I say all the right things as she starts crying again and this is exactly how Marino wants it to go. We’ve danced this dance since the beginning of our time. I’m the doctor who’s not here to accuse or cause further harm. The more he leans on her, the more she’ll bond with me, feeling I’m on her side. I know exactly how to insert myself without violating the boundaries of what I have a right to answer or ask. I also know how to be useful without saying a word.
    “We got it from here,” Marino tells the officer hanging back in the doorway. “Make sure none of the reporters out there get any closer to the house.”
    “What about the residents?” The officer whose silver name tag says T. J. HARDY watches me pull off my shoe covers and gloves and drop them in a red biohazard bag on the kitchen counter.
    I wear no personal protection clothing now, just my field clothes, which are official-looking with their many pockets and CFC crest. But I’m not threatening. I return to Joanna’s side as T. J. Hardy begins to explain that residents are trying to return to their apartments.
    “Two of them just pulled up in their cars, are in front of the house as we speak. They’re getting upset that we won’t let them back in.” His Massachusetts accent is elastic and strong, his
r
’s sounding like
w
’s.
    His voice triggers memories of him showing up in the autopsy room on several occasions for motor vehicle fatalities, and I’d had the distinct impression it was the last place he wanted to be. He’d collect personal effects and keep his distance from the steel tables. He’d avert his gaze, breathing out of his mouth because of the stench.
    “Positively ID them and escort them into their apartments,” Marino says to him. “I want their names and how to reach them. Email me the info ASAP. Nobody gets near the red SUV and the immediate area around it. We’re clear on that?”
    “Got it.”
    “You parked out there?” Marino directs this at Joanna, and she nods, not meeting his eyes.
    “What kind of vehicle?”
    “A Suburban. A rental. We’re moving things … We were supposed to move things around and needed something big.” She looks past him in a fixed wide-eyed stare.
    “You don’t own a car?” Marino asks.
    “We traded in both of ours on his new Honda.” Her voice quavers. “The red one out there.”
    “The cleanup crew wants to start picking up the spilled groceries. And …” T. J. Hardy glances at Joanna as he chooses his words. “And you know, start tidying things up.”
    Marino looks at me. “We’re done, right?”
    The body is at the CFC but I don’t mention it. The blood, the gore certainly need to be gone and I’m not going to say that either. I tell Marino that cleanup can get started, and Joanna quietly cries in spasms. Officer Hardy steps back outside. The solid sound of the oak door shutting startles her and her knees almost buckle. She gasps and holds a tissue over her nose and mouth, her eyes bloodshot and smeared with makeup.
    “Why don’t you come sit and let’s talk,” Marino says to her, and he introduces himself, adding, “Doctor Scarpetta is the chief medical examiner of Massachusetts and also works for the Pentagon.”
    “The Pentagon?” Joanna isn’t impressed and he just scared her.
    “It just means I have federal jurisdiction in certain cases.” I dismiss it as nothing.
    “What? You’re the fucking FBI.” The look in her eyes changes just like that.
    Marino had to brag and

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