But
youâre
Mrs. Powell, arenât you?â
âWell, yes,â the woman said guardedly. âIn fact, I am. But Iâm not blind.â
Reg regarded Addie with a puzzled smile. âWhat an extraordinary thing to say! Meg Turner must be playing a joke on you. The only things my mother is blind to, Miss McNeal, are my faults.â
6. Angel
Mrs. Powell regarded Add ie quizzically for a moment then turned to open the French doors at the end of the room. âLetâs go out on the back porch,â she said quietly. âWe can keep an eye on the girl until the doctor comes but not wake her up.â She picked up three clean glasses from the coffee table and said to Addie, âBring out that cakeâand the knife, if you can manage. I think we all could do with a little sustenance.â
Shaken, Addie got the cake and followed her out. Mrs. Powell put the glasses down on a wrought-iron table. Gently, she shut the glass doors and sat, gesturing for Addie to do the same.
Addie put down the cake and hesitated. Through the glass, she could see the girl turning restlessly on the couch. She felt torn: she wanted to go back homeâsurely Dad and Zack would be there by nowâbut she couldnât leave quite yet. Not without figuring out what was going on.
âI just donât understand it,â she said, pulling out a chair and sitting down.
âItâs one of Megâs jokes. Thatâs what I think,â Mrs. Powell said.
Meg?
Reg had called her that, too. But most people called Mrs. T. Margie.
âShe plays them on everyone. Donât take it to heart.â
âBut she
looked
serious. And why joke about you being blind? Its not funny.â
Reg opened the French doors and stepped out onto the porch carrying the pitcher of water. âDonât be confused. Megâs jokes arenât always meant to be funny. You know these artistic types. Meg Turnerâs one of the worst. A symbolist! A devotee of that crazy Isadora Duncan, no less.â
âWho is a great artist,â his mother contradicted. âAnd not crazy! Excuse Reg for being such a Philistine, Miss McNeal.â She got up and closed the doors as Reg poured water into the glasses.
Addie frowned. Mrs. Turner was a photographer, if thatâs what Reg meant by artistic. But a symbolist? What was that? âWho is Isadoraââ Then she recalled a photo sheâd seen somewhere. âYou mean that dancer?â Now she remembered. A dark-haired woman, twirling barefoot onstage, eyes closed as if in a trance. But there was something about her, Addie thought. Something sad. Oh! âShe died when her scarf caught in the wheel of a car or something, didnât she?â
âGod forbid!â Mrs. Powell eyes widened. She balled her hand into a fist and reached out to knock against the cherry tree behind them. âYou must be thinking of someone else.â
âMaybe,â Addie said doubtfully. Uneasiness whispered through her again.
âWhat Iâm saying, Mother, is that Meg probably meant you were blind as in
blind to the dreadful state of things.â
Reg slipped into an impassioned falsetto. âThereâs a terrible state of things in the world, Miss McNeal. A conspiracy of the rich. Of big fat men with cigars! Thatâs why weâre at war.â
Addie felt disloyal, laughing at Regâs impression of Mrs. T. âMaybe she does sound like that sometimes. But sheâs right. Not about the conspiracy, I mean. But everyone knows we wouldnât be fighting if it werenât for the oil companies.â
Reg tipped his head, considering. âI guess theyâll make a mint out of it, just like the banks and the munitions factories. But you canât really think thatâs why weâre fighting.â Addie frowned. Sheâd heard enough from Dad and Mrs. T. to disagree with him on this, but it wasnât polite to argue. Reg turned back to his