the obstacle of a carpetâIâve seen one of these roach chariots roll up a vertical wall and across a ceiling upside down. The big question is, when they get where theyâre going, how do they kill? And why?â
â
Two
questions,â Saint-Philèmon said with a slightly haunted smile. âTwo deeply perplexing questions,
mon ami
.â
âAnd to answer them I think we had better be both lucky and quick. So far eight people with no apparent connection to one another have died after being informed
Youâre next
.â
âNo apparent connection,â the inspector said. âYet all of the victims seemed to have had a notable deficiency in moral values, and all enjoyed a certain level of notoriety that unfortunately has been enhanced by the mystery surrounding their deaths. Is there a plan? Who or what are we looking for?â
Nobis rarely smiled. He did so now.
âAnother god gone mad.â
Â
Dinner at the Wrixtonsâ showplace home, a mid-nineteenth-century Victorian in Washingtonâs Georgetown neighborhood, ends, as do all of their intimate and socially-significant gatherings, at a few minutes past eleven. Wry Wrixton and his coltish third wife Julia, half his age, are fitness fanatics who arise early and play hard at their health club. Tough daily schedules demand of them at least six hours of sound sleep nightly in their third-floor bedroom, overlooking a walled garden and an additional wall of backyard oaks and red maples to further ensure their privacy.
August in Washington is usually hot enough to boil sap out of the African tribal wood carvings Julia collects, but even with the central-air thermostats set at sixty-eight degrees, Julia still likes to sleep with one window partly open near her bed, to enjoy the sweet midnight breath from the garden below.
Private security on the perimeter of their property and inside the house has been doubled following the latest, cryptic (death?) threat that appeared three days ago in Wryâs personal e-mail. Just a precaution, Wry tells his wife, while he must be in Washington at the wrong season and for the most part under the radar, conducting secret confabs at the Pentagon.
Heâs in his pjâs and using his ultrasonic toothbrush, eyeing himselffor flaws in the old barbershop mirror mounted behind his-and-hers sinks.
Shave and a haircut, four bits
. Wry moves armaments and ammunition around the world for hefty fees to legitimate governmentsâand also to less visible tribal and religious troublemakers. He has, at sixty, the shrewd mien, the pitchmanâs polished baritone, the eerie essence and urbane lech of a wholesaler of death.
Julia comes into the bathroom looking perplexed, something in her hand.
âWry, where did this come from?â
He puts down his toothbrush with another overly wide grin of self-approval (heâs always had marvelous teeth), and turns for a better look at the object.
âToy car.â
âI know, butââ
âYou mean the four sets of wheels? Donât think Iâve ever seen one likeâwhere did you find it, sweetheart?â
Now Julia is looking at herself in the kitschy old mirror. Even at the end of a long day, aswirl in frothy, clingy night clothes, she illumines Cecil Beatonâs famous dictum: The Truly Fashionable Are Beyond Fashion.
âOh . . .â Julia reties her hair with a velvet ribbon so it is well off her shoulders and the back of her neck for sleeping. âIt was there on the sill when I went to raise the windows by my side of the bed. Probably belongs to Myraâs little boy. He follows her around the house while she does the vacuuming.â
âGreat workmanship,â Wry observes, picking up the little car Julia has left on the marble sink. He gives the four sets of wheels a spin, sets the car down again, and instantly itâs in motion, rolling straight and true to the edge of the sink, where it stops as