Flynn and see the dead woman. Itâs her! Her face looks just as it did last night, when I saw her throat being slashed. My legs go weak. What the hellâs going on?
âHer nameâs Susan Young. Twenty-nine years old, ran her own training firm,â Sam tells me, though I am barely listening.
I force myself back to the scene. âWho found the body?â
âWe got a tip-off early this morning,â Flynn says.
I take my eyes away from the victim. âThe perp call it in?â Killers like to get involved in the case, and sometimes they report the crime itself.
âProbably. The caller said he was a jogger, but it would be pretty hard, if not impossible, for a jogger to see into here from the path,â Flynn says.
âSo whyâd he want us to find this one so quickly?â I say, looking at Susan. A couple of strands of her long red hair lie across her face.
Flynn shrugs. âThe note, I guess.â
Sam holds up an evidence bag with a pink envelope in it. âThey found this in the victimâs pocket.â
On the front is cursive writing addressed to:
Sam Wright
Behavioral Analysis Unit
FBI
âHandwriting. Maybe heâs not as smart as we thought.â
âHe is.â
I look at Sam questioningly.
âThe note is handwritten, but heâs printed and used caps.â
I nod. Printing and capital letters are harder for handwriting experts to analyze, or even to compare samples. Itâs not impossible, but it makes the going tough.
âWhat does it say?â I ask.
Sam and Flynn both flip open their notepads.
âYou go,â Sam says.
âDEAR MS WRIGHT, I WAS DELITED TO HEAR MY CASE HAS BEEN ASSIGNED TO YOU. IâVE FOLLOWEDYOUR WORK CLOSELY AND AM IMPRESSED. I PARTICULARLY LIKED THE WAY YOU HANDLED THE MINNESOTA CASE IN 2002. YOU SHUT HIM UP GOOD, DIDNâT YOU?â
I wince. The Minnesota case was Samâs last in the field before coming to the BAU. It was a drug bust but the police hadnât told her they had someone on the inside. During an exchange of fire he pointed his gun at Sam. She shot him, naturally, but his gun had blanks. It caused lots of problemsâofficial and emotional.
Sam gives me a tight smile.
âThis is the really worrying bit.â Flynn doesnât notice the exchange and continues reading out the letter. âI LOOK FORWARD TO WORKING WITH YOU. WITH LOVE, ME. PS I HOPE YOU ENJOYED THE WINE LAST NIGHT.â
He flips the pad shut. âThis is not good.â
A rush of images hits me. Iâm standing at my window, pulling the curtains closed and thereâs a shadow on the street. Then I am that shadow, watching my living room. I see myself pull the living-room curtains closed and the shadowâs angry. Angry that Iâve shut him out. The images bring with them a burning pain across my eyes and I stumble forward.
Flynn catches my elbow and steadies me. âAre you all right, Sophie?â Heâs never used my first name before.
âYeah. Sorry. I think Iâve got a migraine coming on.â
This is getting creepy. Real creepy. The girl I saw in my dreams is lying in a flower bed only two feet away from me. Are they dreams, or could I be having premonitions? I immediately want to reject the notion.
Samâs voice breaks my train of thought. âDo you want to look around?â
I look up at her, still a little dazed.
âYou sure youâre all right?â she says.
I pull myself together. âYeah, just a headache.â
âIâll send you both my report once Iâve done the autopsy,â the coroner says, addressing Flynn and Sam.
âTime of death around midnight last night?â I have to ask, to be sure, but I know that at precisely five after midnight, I somehow witnessed this womanâs murder.
âSomewhere in that vicinity, yes. Iâll pinpoint it back at the lab. Howâd you know?â
I have to think fast. âWell, the perp
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