followed. Ron could feel the rich manâs awe but didnât begrudge him it. He knew heâd pay a good price. As they clicked through the melaleuca gate, Ron felt again the excitement heâd always known the cliff to arouse in people. He was its keeper. He knew Dom Khouri realised that. He led him to the bench his father had built, where they sat down. It was Dom Khouriâs turn to speak.
Dom Khouri hunched his shoulders forward and turned his hooded eyes to face Ron McCoy. Ronâs lips were pursed, not for any other reason than to keep a lid on a sudden upwelling of emotion.
âIf you would like to sell your land to me, Ron, I would like to buy it,â Dom Khouri began, speaking formally. âIn the case of such a piece of land as this, no money can be the measure of it. And forme, money is not an issue. But it is money that must pass between us. I would like you to name the amount. I will pay whatever you feel is appropriate.â He paused. âFor me this place reminds me of where I grew up, Ron. And itâs the picture my old uncle painted of this country when he came and found me. What is the point of all my wealth if I canât go home? Do you understand?â
As he spoke, Dom Khouriâs voice grew strong with emotion and Ron could recognise a hint of what mustâve been his original accent, something heâd not noticed earlier.
âI have driven with my wife past your place to the Meteorological Station before. And never noticed. But from here, with no bitumen or powerlines or people . . . it is a haven.â
Ronâs gaze turned from the black birds with their wings spread on top of King Cormorant Rock to Dom Khouri.
âDo you like music?â he asked.
Dom Khouri was taken aback by the question. âI love music,â he replied, quickly.
Ron opened his mouth and breathed in. âI believe that when I was born, I had no music in me. If I had lived anywhere else I would never have played music. Itâs this place.â For a moment he thought he was going to tell this man heâd only just met about the sea of diamonds, but he didnât. He stopped there.
âYou play music?â Dom Khouri asked, surprised. The shy man next to him had just offered a piece of his soul.
âI play the pump organ,â Ron replied. âIn my shed over there.â
âThe pump organ?â
âYairs. Priests call it a harmonium. Never played a piano.â
The wind was dropping now, the whitecaps disappearing. Dom Khouri leant back on the bench and said, laughing: âIf I had lived here all my life, Ron, I think I could sing like Beniamino Gigli.â
Ron smiled a little along with him. His disclosure had not been wasted.
âDo you know Gigli?â Dom Khouri asked.
Ron pursed his lips again, this time in nervousness. Opera intimidated him a little.
âA friend used to play Gigli on his gramophone for me,â Ron managed to get out. And then: âIt was like seeinâ a big whale. Bit overwhelming.â
Dom Khouri looked out to sea. He wanted to say to Ron that once heâd built his house on the land the two of them could listen to Gigli together.
âIâll have to move my shed,â Ron said.
âCan it be moved?â
Dom Khouri could tell by the way Ron said âmy shedâ that this structure was more than just a storehouse.
âWell, yes. Iâll have to take it apart and maybe reassemble it. Itâs a bit rusted through. Been there the best part of a century. But yair, Iâll have to get that off first thing.â
âWhere will you put it, Ron?â
âOh, Iâve got a place in mind, over there a bit.â
He pointed towards the far side of the house, at the pine tree boundary where the little headstone theyâd erected for his father sat amongst the unmarked graves of his working dogs.
âItâs not too close to the house there, is it?â
âYairs, but