Free Leavetaking by Peter Weiss Page B

rushed out with a shriek, I ran after her through the dark corridor, the towel hanging over the stiff-out phallus, followed her into her room, which was situated next to the hall leading to the door of the flat, but just as I had leaped over the threshold of her room, I heard the sound of a key being turned in the door and I turned about, fled back through the corridor, back into my room, slipped on a dressing gown, then on a sudden inspiration charged into the sitting room, switched on the radio and was sitting there, subduing my panting with difficulty, when my mother entered in a rustling evening gown and in glittering jewelry. It seemed to me that my flight must still be visible in the hall outside, the imprint of one single great leap transfixed in timelessness. This period of my existence, full of bottled-up disaster, seems to lie endlessly far back, further back than the earliest days of childhood. I look at that time as if from another life, a stranger before the I from which I have emerged. I see the endless columns, hear the monotonous march beat, the clatter of nailed boots, the jingling of daggers on their belts. Again and again came the flags and the standards, the extinguished anonymous faces, the mouths opened in song, again and again came the drums, and above the city a vast fire seemed to glower.Ceaselessly the march beat throbbed, like a pulse in the city’s intestines, something was being charged and gained ground, seized me, seized all of us, a force that had throbbed for as long as I could remember, and even earlier, at the time of my birth and of the mythical years when the bombardments lay dully muffled along the horizons, when the wounded bled to death in field hospitals. I too was trapped in a merciless development, and even if I was one of those who fled, I too was melted down into this ceaseless marching, it was as if I had stood here from the beginning at the curb and had seen the mass pass by, linked together and grim, my brothers were with them, armed with knotty sticks, with a look of entrancement on their faces, with steel helmets and the emblems of a new and terrible crusade. Even if, in secret, I sought after other truths, the compulsiveness of a feeling of solidarity with this marching got hold of me, the compulsiveness of the crazy idea of a common destiny. The voices of dream were suppressed by the shouted commands of reality. My anxious protests, my tiny attempts at rebellion were nipped in the bud. I could not recognize my position. Recognition only comes later when it’s all over. Later I could understand and assess, but at the time I was blindly drawn along by the current. At that time I thought only of my poetry, my painting, my music. Had I not suddenly been faced with a drastic change I would have been borne along in the torrent of marching columns, into my destruction. This sudden change took place after hearing one of the speeches which in those days spewed out of the loudspeakers andwhich before my realization possessed an inconceivable power over me, but which afterward seemed like an incoherent screaming from hell. Next to me sat Gottfried, my half brother, and we listened to the hoarse screaming, we were overcome by this screaming, felt only that we were overpowered, we did not grasp its content, indeed there was no content, only emptiness of unprecedented dimension, emptiness filled with screaming. So overpowering was this emptiness that we completely lost ourselves in it, it was as if we were hearing God speaking in oracles. And when the hurricane of jubilant summons to death and self-sacrifice, which at the time seemed like so much cheering for a gold-gleaming future, had run its course, Gottfried said, What a pity you can’t be with us. I felt neither surprise nor fear at these words. And when Gottfried then explained that my father was a Jew, this came to me like the confirmation of something I had long suspected. Disclaimed awareness came to life in me, I began to