cache Joe made by carefully detaching the bellows from the keyboard is an emergency roll of billsâseven Gâsâand uppers, downers, Demerol, codeine, a pharmacopoeia he calls his
painkillers. In a way, theyâre for emergencies, too. Inside the accordion case thereâs also a sawed-off shotgun, a Walther PPK like the one James Bond uses, except this one is stolen and has the serial number filed off, and a Luger stamped with a swastika, supposedly taken off a dead German officer, which his father kept unloaded and locked away. After his fatherâs death, Joe found ammo for it at a gun show. Thereâs a rubber-banded cigarillo box with photos of girlfriends baring their breasts, breasts of all sizes, shapes, and shades of skin, a collection that currently features Whiteyâs girlfriend, Gloria Candido, and her silver-dollar nipples. She told Joe the size of her nipples prevented her from wearing a bikini. Itâs a photo that could get Joe clipped, but heâs gambling that Gloria Candido is clever enough to play Whitey. Whiteyâs getting old, otherwise a punk-ass like Johnny Sovereign wouldnât be robbing him blind.
Capri St. Clair is in the cigarillo box, too, not that she belongs with the others. Her letters he keeps in his bureau drawer. She was shy about her breasts because the left was wine-stained. No matter that they were beautiful. To her, it was the single flaw that gives a person something to hide. Joe understood that, though he didnât understand her. Thereâs always some vulnerability that a personality is reorganized to protect, a secret that can make a person unpredictable, devious, mysterious. Capri was all those, and still he misses her, misses her in a way that threatens to become his own secret weakness. Her very unpredictability is what he misses. Often enough it seemed like spontaneity. He doesnât have a photo of her breasts, but one surprising afternoon he shot a roll of her blond muff. Heâd been kidding her about being a bottle blonde, and with uncharacteristic swagger she hiked her skirt, thumbed down her panties, and said, âNext time you want to know is it real or is it Clairol, ask them to show you this.â Sheâd been sitting on his windowsill, drinking a Heineken, and when she stood the sun streamed across her body, light adhering not
just to her bush but to the golden down on her stomach and thighs, each hair a prism, and a crazy inspiration possessed him with the force of desire, so strong he almost told her. He wanted to wake to that sight, to start his day to it, to restart his life to it, and maybe end his life to it, too. The breasts could stay stashed in the cigarillo box, but he wanted a blowup on his bedroom wall of her hands, the right lifting her bunched skirt and the left thumbing down her turquoise panties. He took the roll of film to Walgreens to be developed, and when he picked it up, photos were missing. He could tell from the weight of the envelope, but went down the Tooth Care aisle to open it and be sure. He returned to the photo counter and asked the pimply kid with âStevorinoâ on his name tag whoâd waited on him, âYou opened these, didnât you? You got something that belongs to me.â
âNo way,â the kid said, his acne blazing up.
âZit-head, I should smash your face in now, but I donât want pus on my shirt. Itâs a nice shirt, right? So, see this?â Joe opened his hand, and a black switchblade the width of a garter snake flicked out a silver fang. âIâm going to count to five, and if I donât have the pictures by then, Iâm going to cut off Stevoâs dickorino right here to break him of the habit of yanking it over another manâs intimate moments.â
âOkay,â the kid said, âIâm sorry.â He reached into the pocket of his Walgreens smock and slid the pictures over, facedown.
âHow many of my boob shots