caught my attention. He handed me his coat with two hands, as if handing a flag to a fallen soldierâs family. I mirrored his movements and his cold fingers touched the insides of my wrists. I watched his skinny silhouette walk upstairs, his slacks hitting more air than leg. He wore a linen shirt with a Nehru collar, the look of a genteel Indian diplomat, which threw me off. But something about him seemed familiar.
When I got a free momentâÂbetween a fur-Âcollared jacket from MaxMara and a bag from FerragamoâÂI looked at his coat again, in case it provided a clue. Even in my short coat check career, I knew cashmere was normally just the shell of the coat, with silk or wool for the lining. His coat had cashmere inside and out. It was cold out, but not that cold. Though if I had a coat this soft, Iâd find any excuse to wear it.
A note dropped out.
Good evening. Stay on your toes tonight.
A tingle ran down my spine as I turned the velvety blue cardstock in my hands. Stay on your toes? Who should stay on their toes? For what?
I heard a cough at the coat check opening, then turned and held out my hands.
It was Jake. âOh. Hi, sorry, I thought you were a guest.â
âTia. I have a Âcouple questions for you.â Jakeâs usually composed hands moved double-Âtime and a cowlick was showing itself on top of his otherwise perfectly styled hair.
âOkay, what do you need?â
âI donât need anything. I want to know what you know. How is the shrimp toast prepared?â
âOh, um,â I said, collecting myself. âBrioche is marinated overnight in shrimp stock, then caked with Indian prawn and langoustine mousse.â I had read that in Careyâs Wiki last night.
âWhere are the langoustines from?â
âMontauk.â
âAnd how would you recommend serving the salmon?â
âWhich salmon?â
âBoth salmons. The sous-Âvide and the salad.â
âThe sous-Âvide should be served well.â I remembered reading that sometime between two and three A. M . âBecause it stays moist in the pouch no matter what and the greater cooking time allows the flavors to infuse longer. Medium-Ârare to rare for the salad, to show off the quality of the product.â
âAnd where do you put the bone bowl for the frog legs in tarragon gremolata?â
âWhat do you mean?â
âDo you put the bowl on the right or left of the guest?â
âNeither. The frog legs are deboned. No bowl is necessary.â
âGood answer,â he said, visibly relaxing. âListen, we have a full house and thirty PX tables, most of them unexpected. Weâre in the weeds in there. This is a very unusual circumstance and I need your help. Will you backserve regular tables so we can concentrate on the PXs? Youâll trail Henri on half his tables and weâll let the hostess do coat check.â
âBackserve tonight? You mean work in the dining room?â My voice must have jumped an octave.
âYes, work in the dining room. My God, letâs not say everything twice, okay?â
I immediately lost interest in the mystery note and stuffed it in my pocket.
âOf course,â I said. âWhatever you need.â
As Jake handed me my white apron, I saw that Jakeâs idea of âin the weedsâ would have looked serene to 98 percent of other restaurants. But I had already gotten a sense of the staffâs collective competence, and indeed the air had turned tense. In the back, a Âcouple of waiters were sorting out the chits, little cheat sheets on tablesâ preferences.
âNo! Dean Chariss is on table nine,â a waiter whispered.
âNo, thatâs Frank Harris. Heâs a friend of Yael Jean.â
I saw a waitress anxiously watching a wine chiller water bath, waiting for a bottle of champagne to come to the guestâs exact preferred temperature.
Jake was already in