for later.â
âMaybe you should go in late,â I said, and I leaned in again, this time kissing his lips.
âWhy are you always like this when Iâm busy?â he said, and he put his hands on my hips, nudging me to get up.
I narrowed my eyes at him, pushed my lips out into a pout. âI hate you,â I said, and then he did kiss me, but only lightly, not with any interest, and he said, âI know.â
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When I wake, itâs dark out, and Tommy is still curled around me, his hand tucked between my thighs, but I slip out without waking him. In the upstairs shower, I lean my face against the cool tile and let the hot water run on my neck. I stay like that for a long time, and I keep my eyes closed tight, but I donât cry.
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Itâs close to eight when I hear Tommyâs bare feet scuffing on the tile floor behind me.
I say, âMorning,â but I donât turn around.
He walks around the island and goes straight for the coffee. Heâs just wearing these low jeans, no shirt. âYou didnât sleep any better?â he asks, turning to face me.
I smile, but I shake my head. âNot really.â
âI gotta tell you, thatâs a little insulting.â He frowns. âYou could at least fake it.â
âMaybe I did.â
âGood one,â he says. He takes a sip of his coffee. âFlightâs at noon? Before you go, I want you to read through a new draft of the script. Joe sent it yesterday while you were sleeping.â He pulls a banana off a bunch sitting in a bowl on the counter and snaps the peel. âBanana?â
âNo,â I say. âWhen you say ânew draftâ . . .â
He takes a bite of the banana, shifts it to his cheek, and talks around it. âYouâll just have to look at it.â He walks around the island and across the room, toward the study. When he comes back, he drops a stack of pages in front of me. âStart on page eighty-seven.â And then he stands there next to me, leaning against the counter, half naked.
Christ.
âSure you donât want some of my banana?â He smiles.
âNo. I really donât. Thank you.â
âCome on, just a little bit.â He pulls a piece off and holds it up to my mouth. âJust the tip.â
âYou are a pervert,â I say, pushing his hand away.
âCome on. One bite.â
âThen will you go away so I can read this?â
âAbsolutely.â
I open my mouth, and he holds the piece of banana up, and I take it with my teeth.
âJesus, Stacey, not the teeth. Itâs very tender.â
âOh my god. You are like a twelve-year-old. Go away.â
I hear the front door open and close, Danielâs feet in the hallway. He walks into the kitchen, and he takes one look at us, Tommy leaning on the counter, his foot on the rung of my stool, both of us eating the same banana, and he says, âJesus Christ. Tell me youâre not that stupid.â
âYouâre fired,â Tommy says, and he takes another bite.
Daniel walks around to the coffeemaker and pours himself a cup. He adds sugar, walks to the fridge, pulls out the milk, stirs.
âStacey,â he says finally with a kind of sigh as he turns to face me, âIâm not gonna lie. Iâm disappointed.â
âI know,â I say, frowning at him. âIâm kind of disappointed in myself.â
âOh, fuck you both.â Tommy stands up and walks back around the island, throws the banana peel in the trash, and picks his coffee back up.
Daniel shrugs, shakes his head at me with this sad frown. âIâll be in the study if you need anything, sweetie.â He walks around the island and rubs my arm. âLike some penicillin,â he says, and I laugh.
âJust read the script,â Tommy says.
I pick it up, flip the pages across
John Maddox Roberts, Eric Kotani