Free Snow Crash by Neal Stephenson Page B

doesn't pay to have a nice avatar on the Street, where it's so crowded and all the avatars merge and flow into one another. But The Black Sun is a much classier piece of software. In The Black Sun, avatars are not allowed to collide. Only so many people can be here at once, and they can't walk through each other. Everything is solid and opaque and realistic. And the clientele has a lot more class—no talking penises in here. The avatars look like real people. For the most part, so do the daemons.
    “Daemon” is an old piece of jargon from the UNIX operating system, where it referred to a piece of low-level utility software, a fundamental part of the operating system. In The Black Sun, a daemon is like an avatar, but it does not represent a human being. It's a robot that lives in the Metaverse. A piece of software, a kind of spirit that inhabits the machine, usually with some particular role to carry out. The Black Sun has a number of daemons that serve imaginary drinks to the patrons and run little errands for people.
    It even has bouncer daemons that get rid of undesirables—grab their avatars and throw them out the door, applying certain basic principles of avatar physics. Da5id has even enhanced the physics of The Black Sun to make it a little cartoonish, so that particularly obnoxious people can be hit over the head with giant mallets or crushed under plummeting safes before they are ejected. This happens to people who are being disruptive, to anyone who is pestering or taping a celebrity, and to anyone who seems contagious. That is, if your personal computer is infected with viruses, and attempts to spread them via The Black Sun, you had better keep one eye on the ceiling.
    Hiro mumbles the word “Bigboard.” This is the name of a piece of software he wrote, a power tool for a CIC stringer. It digs into The Black Sun's operating system, rifles it for information, and then throws up a flat square map in front of his face, giving him a quick overview of who's here and whom they're talking to. It's all unauthorized data that Hiro is not supposed to have. But Hiro is not some bimbo actor coming here to network. He is a hacker. If he wants some information, he steals it right out of the guts of the system—gossip ex machina.
    Bigboard shows him that Da5id is ensconced in his usual place, a table in the Hacker Quadrant near the bar. The Movie Star Quadrant has the usual scattering of Sovereigns and wannabes. The Rock Star Quadrant is very busy tonight; Hiro can see that a Nipponese rap star named Sushi K has stopped in for a visit. And there are a lot of record-industry types hanging around in the Nipponese Quadrant—which looks like the other quadrants except that it's quieter, the tables are closer to the floor, and it's full of bowing and fluttering geisha daemons. Many of these people probably belong to Sushi K's retinue of managers, flacks, and lawyers.
    Hiro cuts across the Hacker Quadrant, headed for Da5id's table. He recognizes many of the people in here, but as usual, he's surprised and disturbed by the number he doesn't recognize—all those sharp, perceptive twenty-one-year-old faces. Software development, like professional sports, has a way of making thirty-year-old men feel decrepit.
    Looking up the aisle toward Da5id's table, he sees Da5id talking to a black-and-white person. Despite her lack of color and shitty resolution, Hiro recognizes her by the way she folds her arms when she's talking, the way she tosses her hair when she's listening to Da5id. Hiro's avatar stops moving and stares at her, adopting just the same facial expression with which he used to stare at this woman years ago. In Reality, he reaches out with one hand, picks up his beer, takes a pull on the bottle, and lets it roll around in his mouth, a bundle of waves clashing inside a small space.
             
    Her name is Juanita Marquez. Hiro has known her ever since they were freshmen together at Berkeley, and they were in the same