The Mask of Apollo

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Authors: Mary Renault
in a month, if I had had the training of him. Forcing would make it thin; it seemed he had learned that and no more. “I assure you it is so,” he said. “I once wrote a whole tragedy, and brought it as far as the Theater Bureau, to enter it for the Dionysia. From what I saw at the contest, it might have been considered; I cannot tell. But by chance, as men say who are content with ignorance, I met Sokrates in the porch—the friend, Nikeratos, who brought me to philosophy—who asked to see it, and put some questions, all too much to the purpose. I saw I had a lifetime’s work before me, to find the answers I had given so glibly. Everything was there but truth.”
    “Well, sir,” I said, “even Euripides was a beginner once. Truth to nature can’t all be learned in the study; it comes half the time from getting out in front to listen. The actors will soon show you if a line speaks badly. From what I’ve just heard, I should think you’ve let your friends put you off too easily. Believe me, the theater is crying out for good new tragedies; just look at all these revivals. Why not get it out and go over it, and this time get it read by someone in the business? Would you care to let me see it, and tell you what I think?”
    “Why not?” said Dion. “Then I can read it, too.”
    “I burned it,” he said, “as soon as I got home.” Seeing my face he smiled—he could be a real charmer when he chose—and said, “My friend, Apollo does not ask us all for the same offering.”
    Dion filled my cup. The bottom was painted with an Eros playing the lyre, pretty, flowing work, heightened with white, in the style of Italy. “Well, Nikeratos, if Plato has no play to give you, some other friend must step in as best he can. I intended asking you, but was diverted by the pleasure of our talk—”
    He broke off short. We all started bolt upright. From the sky, as it seemed, outside, had sounded a scream that stopped my breath. In all my life, I don’t think I ever heard a sound so dreadful. As a meteor plunges trailing light, so plunged from some great height above us this shriek of terror, then ceased as if cut with a knife. I put down my cup, which was spilling in my hand. It was Dion who, calling the slave in, said, “What was that?”
    The man beamed, like a good-news-bringer sure of his welcome. “Why, sir, that must be the godless fellow they’ve been hunting since this morning, who tried to pollute the precinct with this gentleman’s blood. The young men were saying, before they went up after him, that if they caught him they’d throw him off Aesop’s Rock.”
    The wine went cold in my belly. Dion said, “Aesop’s Rock?”
    “It’s called, sir, they tell me, after some old blasphemer who was sent off from there. It’s above those great white cliffs, the Phaidriades. They go all the way down.”
    “Thank you,” said Dion. “You may go.” He turned to me. “They have done justice, and avenged you … What is it? You look pale.”
    He is a soldier, I thought. Does he think I should have been up there, lending a hand?
    “I was avenged already,” I said. “He was an artist once.”
    I thought of the long hunt, the quarry stumbling and thirsty like a wolf run down; and then they must have dragged him a long way to the place, knowing what he went to.
    Both of them were staring. They did not look scornful; but then I was a guest. Dion said, “He tried to take your life; yet you would have spared him?”
    “I would have spared him that. After all, here I am, alive and feasting. Do you think me poor-spirited?”
    His eyes opened. I have never seen such dark eyes so light a face. “You are surely joking. Poor-spirited, after what we saw today? By Zeus, no! It is greatness of soul that spares the enemy in the dust. Better than vengeance is not to share the evil.” He leaned forward glowing like a man in love. I did not fool myself; honor was his darling. My head was not fooled, at least.
    “It is an old

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