her crash to the ground as her son Tommy had from the pear tree, reaching for that pear that was alwaysâand now always would beâjust out of his reach. But Miss Devine did not fall; indeed, she seemed incapable of it. For the first time in the weeks since her sonâs death, Anne Kellaway felt the shard of grief lodged in her heart stop biting. She craned her neck to watch her even as Miss Devine moved far down the bridge and could barely be seen, even when there were other spectacles right in front of herâa monkey on a pony, a man riding his horse backward and picking up dropped handkerchiefs without leaving his saddle, a troupe of dancers in oriental costume turning pirouettes.
âJem, whatâve you done with those tickets?â Anne Kellaway demanded suddenly.
âHere, Ma.â Jem pulled them from his pocket.
âKeep âem.â
Maisie clapped her hands and jumped up and down.
Maggie hissed, âPut âem away!â Already those around them had turned to look.
âThem for the pit?â the meat pie man asked, leaning over Anne Kellaway to see.
Jem began to put the tickets back in his pocket.
âNot there!â Maggie cried. âTheyâll have âem off you in a trice if you keep âem there.â
âWho?â
âThem rascals.â Maggie jerked her head at a pair of young boys who had miraculously squeezed through the crush to appear at his side. âTheyâre fasterân you, though not fasterân me. See?â She snatched the tickets from Jem, and with a grin began to tuck them down the front of her dress.
âI can keep them,â Maisie suggested. âYou havenât got the stays.â
Maggie stopped smiling.
â Iâll keep them,â Anne Kellaway announced, and held out her hand. Maggie grimaced but handed over the tickets. Anne Kellaway carefully tucked them into her stays, then wrapped her shawl tightly over her bosom. The stern, triumphant look on her face was armor enough to keep away any rogue fingers.
The musicians were passing them now, and behind them three men brought up the rear of the parade waving red, yellow, and white flags that read ASTLEYâS CIRCUS .
âWhatâll we do now?â Jem asked when they had passed. âGo on to the Abbey?â
He could have been speaking to a family of mutes, oblivious to the surging crowd around them. Maisie was staring after John Astley, who by now had become just a flash of blue coat over winking horse flanks. Anne Kellaway had her eye on the amphitheatre in the distance, contemplating the unexpected evening ahead. Thomas Kellaway was peering over the bridgeâs balustrade at a boat piled high with wood being rowed along the thin line of water toward the bridge.
âCâmon. Theyâll follow.â Maggie took Jemâs arm and pulled him toward the apex of the bridge, sidestepping the traffic of carriages and carts that had begun to cross it again, and making their way toward the Abbey.
4
Westminster Abbey was the tallest, grandest building in that part of London. It was the sort of building the Kellaways had expected to see plenty of in the cityâsubstantial, ornate, important. Indeed, they had been disappointed by the shabbiness of Lambeth, even if they had not yet seen the rest of London. The filth, the crowds, the noise, the indifferent, casual, neglected buildingsânone of it matched the pictures theyâd conjured of London back in Dorsetshire. At least the Abbey, with its pair of impressive square towers, its busy detail of narrow windows, filigreed arches, jutting buttresses, and tiny spires, satisfied their expectations. It was the second time in the weeks they had been in Lam beth that Anne Kellaway thought, There is a reason for us to be in Londonâthe first time being only half an hour before, when she saw Miss Laura Devine performing the Pig on a Spit.
Just inside the arched entrance between the two