there any particular records you had in mind?â The girl finally made eye contact. She had a large chest, painted fingernails. There was something in her voice that reminded Lona of Genevieve. The standoffishness. The coolness â like she was waiting to be impressed. Lona handed her the index card that sheâd carefully filled out, using the instructions on the government website.
âWhich records do you want?â The girl moved the computerâs mouse lazily over the keypad. On her lap, underneath the desk, Lona spotted an opened comic book. The girl dutifully poised her fingers over her keyboard. Her nails were painted the same deep red color as her lips.
âThe
Julian Path
records.â She resisted the urge to poke at where the information was printed in capital letters on her index card. âI filled that in on box four, right under my name and address. Iâm trying to find all of the employees of the Julian Path. Especially any of them who worked in the lab.â
âI
know
that. But
which
Julian Path?â
âWhat do you mean, which Julian Path?â
The girl rolled her eyes. âA couple of years after the paperwork was filed for the Julian Path, a bunch of other patents and copyrights and paperwork were also filed, using the same codes.â She pivoted her computer screen so Lona could see â a spreadsheet filled with letter and number combinations â and skimmed her index finger down one of the columns with exaggerated patience.
âSee? These are all the same. Theyâre all filed under the umbrella grouping of Julian Path documentation, but some of them are labeled âJulian Side Pathâ, or this one is labeled âJulian Alternate Routeâ. And if I click on
this
one, it takes me to a grouping of records about Julian Path Expansion, which was apparently a proposed initiative to bring the music portion of Julianâs education to schools where arts funding had been cut. And if I click on
this
one, it takes me to the documents for the visioneer technology that was licensed out to the entertainment industry. And this one is called âThe Julian Compactâ. And if I click on
it
ââ
âI under
stand
.â
The girl frowned, clicking again on whatever link she was trying to open, but apparently failing. âWell,â she said finally. âIf I click on âThe Julian Compactâ, I apparently just get an âaccess deniedâ notification.â She looked irritated by the firewall, though Lona couldnât tell whether it was because her access had been denied, or because her smug rant to Lona had been interrupted.
âBut you see what Iâm saying. Unless you can be more specific about which set of records youâre looking for, Iâll have to click through each of these individually, and I really donâtââ
âThe original one,â Lona blurted out. It had to be the original one she wanted, didnât it? Because that one was the one Warren had developed. âCan you just give me the employment records for the plain, original Julian Path?â
âKind of a purist, huh?â
âA purist?â
The girl looked down pointedly toward Lonaâs feet. âYour shoes. I saw your shoes when you came in. I knew some costume shops sold Path slippers this Halloween, but yours are the most realistic ones Iâve seen.â
They looked realistic because they were real. When Lona left the house this morning, her boots were still wet from the night before, so sheâd grabbed what was closest â the thin, flexible slippers designed to be worn while living in pods.
âThese arenât from a costume shop,â she replied automatically, but luckily, the girl wasnât paying attention.
âWhich years do you want?â the girl interrupted. âAnd which sector?â
âAll of them?â
â
All
of them?â
She didnât know how to narrow
William Manchester, Paul Reid