Free "Q" is for Quarry by Sue Grafton Page A

messages. I took care of a few routine matters and then locked up again. I left my car where it was and walked the five blocks to his house, arriving in advance of Con Dolan. Stacey’d left his front door open and his screen unlatched. I knocked on the frame. “Hey, Stacey? It’s me. Mind if I come in?”
    He responded with a muffled “Make yourself at home.”
    I stepped inside and closed the screen door behind me. The floors were bare of carpeting, and the windows had no curtains or drapes, so my very presence seemed to set up an echo. I could smell coffee being brewed, but otherwise the place felt unoccupied. The room was stripped down, as though someone were moving in or out with the job only partially completed. The interior of the house couldn’t have been more than eight hundred square feet, most of which was visible from where I stood. The space was divided into living room, kitchen, a bedroom, and a bath, though the door to that was closed. The floor was linoleum, printed in a pattern of interconnected squares and rectangles, blue on gray with a line of mauve woven in at intervals. The woodwork was stained dark; the walls covered with yellowing paper. In places I could see tears that revealed the wall coverings from three lifetimes down; a small floral print covered by a layer of pinstripes that, in turn, covered blowsy bouquets of faded cabbage roses.
    Under the windows to my right, there was a mattress, neatly made up with blankets. A TV set rested on the bare floor nearby. To my left, there was an oak desk and a swivel chair. There was not much else. Six identical cardboard boxes had been stacked against the far wall. All were sealed with tape and each bore a hand-printed label that listed contents. A closet door stood open, and I could see that it had been emptied of everything except two hangers.
    I tiptoed to the kitchen door and peered in at a small wooden table and four mismatched chairs. A Pyrex percolator sat on the stove, a low blue flame under it. The clear glass showed a brew as dark as bittersweet chocolate. The doors to all the kitchen cabinets stood open, and many shelves were bare. Stacey was obviously in the process of wrapping and packing glassware and dishes into assorted cardboard boxes. A heavy ream of plain newsprint lay on the counter, wide sheets that must have measured three feet by four. He was clearly dismantling his house, preparing his possessions for shipping to an unknown location.
    “See anything you like, it’s yours. I got no use for this stuff,” Stacey said, suddenly behind me.
    I turned. “How’s your back?”
    Stacey made a face. “So-so. I’ve been sucking down Tylenol and that helps.”
    “You’ve been busy. Are you moving?”
    “Not exactly. Let’s say, I may be going away and wanted to be prepared.” Today his watch cap was navy blue. With his bleached brows and his long, weathered face, he looked like a farmer standing in a fallow field. He wore soft, stone-washed jeans, a pale blue sweatshirt, and tan sheepskin boots.
    “You own this place?”
    “Rent. I’ve been here for years.”
    “You’re organized.”
    “I’m getting there. I don’t want to leave a mess for someone else to clean up. Con’s the one who’ll come in.” The unspoken phrase after I’m dead hung in the air between us.
    “Con told me they were trying new drugs.”
    Stacey shrugged. “Clinical trials. An experimental cocktail designed for people with nothing left to lose. Percentages aren’t good, but I figure, what the hell, it might help someone else. Some survive. That’s what the bell curve’s all about. I just think it’s foolish to assume I’m one.”
    Con Dolan knocked at the front door and then let himself in, appearing half a second later in the kitchen doorway. He carried a brown paper grocery bag in one hand and a smaller white bag in the other. “What are you two up to?”
    Stacey put his hands in his pockets and shrugged casually. “We’re talking about