her. Once I lost me block and took the Confederate and pushed the blade into her dressing-gown where her navel was. âGo on, push,â she says real quiet, her eyes locked onto mine, âKill me and weâll both be out of our misery.â
I came so flaminâ close to pushing the blade home that I start to tremble just thinking about it. Now I see me hand is half lifted to hit her. She and the kid are everything in the world I love, and all Iâve ever given her is grief. I sigh, and my hand drops to my side. âOkay, weâll lock the cafe for the afternoon.â
âNo,â she says, âwe need the money.â
âWell, suit yerself, Iâm going to the meeting.â
âRight! Off you go then. Go on!â She points to the door.
âRight, screw yiz!â
âRight, thatâs it!â Wendy shouts. âAnd donât bother to come back. Go pack your things!â
Iâm real close to losing me block, âWhat? You threatening me, Wendy?â
âIâve had enough, Thommo.â Her eyes fill with tears. âI canât take any more, mate.â She wipes both her eyes
with the side of her fist, âMum and me own Smoky Joeâs, just bugger off, will ya!â
âShit. The meeting, itâs for Anna!â I yell. âThe meetingâs for Anna.â The words are hardly out of me mouth when I realise Iâve stuffed everything. Iâm gunna have to tell her about last night right off.
âAnna?â Wendy looks hard at me. âWhat about her?â
âGettinâ her better. A bone-marrow transplant.â
âThommo, you better be very careful what you say next,â Wendy says quietly. Her voice is like ice.
âYeah, well,â is all I can think to say.
The commercial traveller must have caught some of this, because I hear his chair scrape back. He gets up, folds his newspaper, âIâll be off then,â he says. Heâs ordered coffee but I havenât brought it yet. He comes over to the counter to pay.
Wendy waves him away, âThatâs all right. See you next time. Thanks for coming.â
I try to grin, apologise. âSorry, mate, bit of a domestic.â He walks out, not saying anything. I guess heâs seen a few things in his time on the road.
The three old-timers have already et and gorn. Theyâre all fast eaters. A plate of eggs, cuppa strong tea, four sugars, dash oâ milk, a fag and theyâre off to wait for the pub to open.
I go over to the commercial travellerâs table to clear the plates. He hasnât touched the fried tomato. I must buy a thousand uneaten tomatoes every year. âDead Tomsâ Wendy calls them.
Wendy starts to shut up the cafe. The doors are solid plate glass, no frames, they were her old manâs pride and joy. Heâd polish them every morning with a chamois kept special for the purpose. âSame as on Woolworths in Narrandera,â heâd say to anyone passing by, tapping the shining glass with the knuckle of his forefinger.
Heâd had âSmoky Joeâs Cafeâ written in grey and white imitation smoke, the smoke writing curling across the two doors. He brought the Italian signwriter up from Griffith. Told him to go for his life, it has to be perfect, spare no expense, Mario Lanza. Being a musical man thatâs what he called all Eyetalians.
The stainless-steel bolts shoot home, one at a time, and itâs Wendy and me alone. Shit, what am I gunna do?
âNow, what about Anna?â she asks.
âYou better sit down, love,â I say, pointing to one of the tables. Then I tell her about last night. About Shortyâs proposal. Iâm expecting any moment to wear the heavy glass ashtray on the table. She donât say nothing, sheâs
dead quiet, looking down, picking at one of her nails with tâother, her hands on her lap. Then, after a while, she looks up at me, a tear swells out her
Lisa Mantchev, A.L. Purol