down. Savvy?â
For an answer, I put a hand on Sylvieâs neck and marched her up the path toward the aforementioned stump. Behind me Sam muttered, âYouâre going to have to make up your mind becauseââ
âI know!â Ranger muttered back snappishly. âBut whoâs paying for the film?â
That must be why he was always cash poor, I thought. We kept marching, and when Ranger called, âNow disappear!â I pulled Sylvie off the path with me.
âHow much longer?â she whined.
âJust until Mr. Art decides his muse is done for the day.â
âWhoâs Mr. Art?â
âDonât touch the makeup! Weâll just have to slap it back on. Donât forget, youâre the one who wanted to be in a picture.â
âI already was in a picture, and we didnât even get to see it.â
âThatâs because weâre just decoration.â
âWhatâs that over there?â Sylvie asked, pointing through the trees, at the very moment Ranger yelled, â Now !â
I got a firm grip on her hand, whispering, âAsk me later. Letâs get this right, or weâll have to do it again and again and again.â
âLook scared!â Ranger called, as we emerged from behind the trees. I didnât see him, but of course Sam was at the end of the path, turning the camera crank at a steady pace, counting under his breath for every full turn: one one hundred, two one hundredâ¦
A high-pitched scream from the bushes made me almost jump out of my skin. Sylvie clutched me in a suffocating grip. âWhat was that?â
â Good , Sylvie!â came Rangerâs voice from the brush on our right. âLook in the other direction now. Isobel, youâre jumpy. Youâve been hearing noisesâ Arrrrrgh ! â He made a gurgling noise in his throat. âIt might be a mountain lion or a bear!â
âBut I saw it,â Sylvie said to him. âIt looked likeââ
âStop looking this way! Iâm not here! Squeeze close to Isobel!â
âTalk to me if you have to talk,â I murmured.
She answered, just as murmury, âBack in the trees. It looked likeââ
âPut your arm around her, Iz!â Ranger commanded, keeping pace with us. âYouâre trying to be brave, but these noises are getting to you. Like this one: Arrooooo ! â I pulled Sylvie closer, barely keeping a straight face. â Bully! As you come closer, let the camera see your eyes get widerâno, not too fast! A little at a time. And your mouth like an O. Closerâ¦closerâ¦ready⦠Cut!â
By then, my eyes were as wide as they could go without falling out. Sam emerged from behind the camera, almost smiling. âLooked good, except the kid kept talking to you.â
âYep, I thought that might have blown it. Letâs do it again.â
My hands flew up in exasperation, which freed Sylvie to dash back up the path. While the boys engaged in camera talk, I sulked, staring at Samâs cap, which he always turned backward while shooting so the bill did not bump up against the viewfinder. Very practical, but I thought it looked silly. Like so much else in the moving-picture business. They were coming to some sort of agreement (I could tell by the voices, not the words), when Sylvie screamed from the woods: â Come look! Come look ! â
When she lets loose like that, it can mean sheâs just excited or sheâs being mauled by a very large animal, so I took off at a gallop with the boys close behind. What we found, after crashing through the brush and wire, was Sylvie doing a clog dance on the floor of an abandoned shack. It was about the size of an auto garage, with one door and two windows, a wall missing and the roof partly caved.
âSee?â Sylvie crowed. âIâm in a show!â
I sagged, gulping for breath. âIs that all? I thought you were being