slammed on the brake like I threw out a child. âWhat are you doing?â
The car lurched to a stop and someone honked, swerving past.
âIâm going to be sick,â I said.
âAll right, okay.â He pulled over. âWhat did you eat?â
My left flip-flop was torn, the strap snapped by the big toe.
âDo you think itâs food poisoning, or do you have a temperature?â
I saw his hand come toward me, but I was already yanking the door open and throwing off my seat belt. I rushed into the tall grass beside the road. My broken flip-flop tripped me and threw me to my knees.
âMarion?â he called after me, and I pretended to throw up.
My shoulders heaved and there was vomit in the grass and on my feet and in my hairâ
But nothing really came out.
Kurt
My door hangs open and there are kernels of popcorn all over the seat. Exploded from the microwave bag when I slammed on the brake. Through the door I can see Marion. Standing in the woods. Back to me.
She stares into the dark and I donât know what to do. All I know is this is bad. Bad like Josie scratching her legs and crying on the other end of that phone line. Crying and too far away from me. I donât want to get out of the car, but sheâs out there for so long, I donât think sheâs ever going to get back in.
âMarion?â I say, warning her so she knows Iâm coming up behind her. âItâs pretty dark. We should get going.â
She shakes like some piece of her is broke, and I know this is something I shouldnât see. Something private. Like Mom. Like Josie. I walk into her periphery and her eyes make me hate myself for taking her here.
âHey . . .â I inch closer and reach my hand out, eventhough the instinct is all kinds of unnatural. But this is what you do, right? You comfort people.
âPlease donât touch me,â she snaps, and I drop the hand so fast she shudders. âIâm fine,â she whispers, but thereâs no way I believe that.
She stares into the forest, like she wants to walk into it, and more than anything I want to take her hand and tell her this is going to be okay. Even if I donât know how itâs going to be okay. Just that it is. So she knows sheâs not alone.
But Iâm not that guy.
*Â Â *Â Â *
The parking lot is practically empty when I pull in and slow down. There are a few cars near the gym and Iâm sure one of them is hers, but I donât ask. She hasnât said a word, and I havenât said a word, and Iâm not going to start now.
The car isnât stopped when she opens the passenger door again. I slam on the brake and she shoots forward, throwing a hand out against the dash.
âHold on, geez,â I say. âI can take you to yourââ
âThis is fine.â
She doesnât leave, despite the fact that everything about her says she wants to. I swallow, with the door half-open as she strains her neck to look at me.
âWhich car is yourâ?â
âMy last name,â she says, cutting me off.
âWhat?â
âWhatâs my last name?â She says it quietly, barely above a whisper, and I notice her hair is up. At some point she pinned it away and all thatâs left is this raw question in her eyes.
And for some reason I want to answer it. But . . .
âAre you the Honda?â I say, nodding to the closest car.
âSure. Why not,â she says, which means itâs not, and now I really donât know what to do. I could drive her to the Honda, even though itâs not her car. Or I could sit here and let her get out, which somehow seems worse.
âMedford,â she says, forcing me to look at her. I expect her to smack me, but thereâs this weird resign in her eyes instead. Sheâs not angry, which I hate, because I could deal with this if she were angry. Only sheâs not. Sheâs whatever this
Teresa Giudice, K.C. Baker