leaves, heading further and further towards the forest, nibbling as she gathers. She stoops again – and touches a brown and bloody bit of something that might once have been a deer.
Prickles run down her spine. She hears a rustling in the trees and pictures the wolf. Or the bear or boar – whatever it is, it has killing teeth and ripping claws, and it probably doesn’t care if its next meal is an ibex or a girl.
Aissa turns and runs. She doesn’t stop till she meets the path to the goat meadow, where she can see people, and the wall of the town.
Nothing’s following her. Maybe it was just wind rustling the leaves.
But the mountain suddenly seems dark and forbidding. At least when she lived with the servants she was only slapped and spat at. Nobody tried to eat her.
Outcast days are busy
with no cleaning or sweeping
but full of learning,
because now her ankle is healed
and her privy-stink
gone with the rain,
she can creep close
to watch and learn.
Spying a goatherd
dozing in the sun,
his staff in his hand
and beside it his sling –
a rope looped in the middle
to hold a rock –
so simple to make,
impossible for her.
Aissa’s hand twitches,
wanting that sling –
not far down the hill
to snatch it and run –
but already his dog,
head up and alert,
has caught her scent.
Softly and quietly,
Aissa slips away.
Gathering food
fills the rest of her days –
evading slaps and kicks
when she passes too close
to a market stall,
but not any lonelier
than when she was part of
the servant tribe.
But outcast nights
are long and empty
though full sometimes
of terror,
fear that’s worse
for not knowing why.
Her cave under the rock is safe
but in the night
Aissa doesn’t always
feel it,
because it’s dark
cold,
and lonely
with owls screeching
as if they’re crying
when Aissa can’t.
Dark long before nightfall
and no morning light
till the sun has risen
high over the mountain,
so that Aissa might sleep,
not knowing it’s day
and slither out
when the square is busy
with people to see her.
Her cave is cold,
even now in sun-warm spring
of longer days and gentler air,
the rock is chill,
and so is Aissa.
Most of all
her cave is empty,
full of nothing
just like Aissa.
Empty of light,
empty of warmth,
empty of food,
empty of hearth fire
and glowing embers;
empty of pots and platters,
goblets and baskets,
jugs of oil and wine,
empty of sound,
the murmur of voices,
the shushing of Squint-Eye,
sleepy groans and snores,
empty even of smell
of goatskin fleeces for lucky sleepers,
of tired bodies
and a fug of farts.
But in the mornings, in the dark before dawn,
before the Lady greets her snakes,
Aissa’s cave has Milli-Cat
rubbing her nose
against Aissa’s cheek,
butting her head
under Aissa’s chin,
curling heavy and purring on Aissa’s chest –
and Milli-Cat is more
than all the emptiness.
8
THE SEA
The servants miss Aissa, and not just because of her chores. Most of them are hoping Squint-Eye will let her back in. Life is easier when they’re all bullying the same person – now they’re scrabbling for power, terrified of being the next victim.
Aissa would go back if Squint-Eye called her. Even with Milli-Cat’s love, she doesn’t know how long she can survive.
But this morning she’s been exploring the rubbish heap, and has found the scoop of a broken bowl, and half a long bone needle that will work as a pin. She sidles past the sanctuary to slide her treasures under the gap, but has to duck out of sight while a woman places a bunch of fresh sea lettuce on the offering table.
In those few moments, Squint-Eye has come out to the stone bench outside the kitchen, a bowl of lentils on her knee. Her old fingers move quickly, flicking the rotten ones to the ground.
Aissa will have to walk past her to get out the garden gate.
She’s so busy she might not see me . . .
Squint-Eye’s good eye narrows spitefully. For a moment she