out a cigarette, lit it, and dropped the lighter and the pack back in. Then she took a long drag, held it, and let it back out in a sigh.
âI thought you were going to pull a gun on me,â Hollis said.
âLetâs hope your luck holds.â
She took another drag and held it.
âIâm only doing this out of a desire to harass corporate America,â she said finally, exhaling. She gestured to him. âPick up the phone.â
Hollis picked it up. There was no dial tone: she was holding down the hang-up switch.
âWhen I let go of this hook,â she said evenly, âthe phoneâs going to try to dial into the customer service center. Itâs preset to do that. You have to stop it from doing that by dialing first. But you canât, because thereâs no buttons on the phone to dial with.â
She watched Hollis carefully, to see if he was following, and he nodded with the phone still held up to his ear. A police car went by outside with its siren on.
âThe way you dial a phone like this,â she went on, âis by hitting the switch: you hit it as many times as the number you want to dial. Thatâs basically how a rotary phone works. The trick is to do it before the phone can do its own preset dialing. So what you have to do is pick upââshe let go of the receiverââand as fast as you can you start smacking the receiver.â
She tapped on it smartly, six times in a row. When she stopped, there was silence on the line, and she looked up at Hollis expectantly. The tips of her ears stuck out from under her hair, giving her a slightly elfin look.
âWho do you want to call?â she said.
âI donât really know.â
âMight as well go transcontinental. Itâs BayBankâs nickel.â
Hollis scratched his chin.
âIt doesnât matter,â he said. âDial anything.â
She rolled her eyes at him, then went ahead and dialed. It took her about half a minute to get six more numbers tapped in.
Hollis waited. The phone rang a few times, and an answering machine picked up.
He listened to the message, then hung up at the beep.
âWho was that?â he said.
âMe,â said the woman. She made the clicking noise with her tongue again. âDo I have any messages?â
âI donât think so. Which one are youâAlix or Xanthe?â
âGuess,â she said lightly.
Hollis thought for a second before he answered.
âXanthe.â
âNope.â She slipped down off the plastic bench. âI only wish.â
She straightened her skirt and slung her bag over her shoulder. Glancing at him once, ambivalently, she headed out the door. She wasnât walking particularly quickly, and Hollis shoved his hands in his coat pockets and followed her out into the cold. It was definitely below freezing, but she let her jacket hang open.
âWhat kind of a name is Xanthe?â he said.
âI donât know. Itâs from some poem, I think.â
She turned left, the opposite way from Hollisâs bus stop, but he went with her.
âIs she a good roommate?â
âSheâs quiet.â
Then she added, as if she were ticking off the points on her fingers:
âSheâs obsessively neat. She sleeps exactly eleven hours a day, from nine every night to eight every morning. She canât stand noise. She has good skin. She has bad hair. And she writes poems. Oh, and sheâs rich, dahling, sheâs terribly, terribly rich.â
âHow are the poems?â
âI never read them.â
âMaybe you could introduce me.â
âI donât think youâre her type.â
A late-night Rollerblader overtook them from behind, then skated away ahead of them, the reflective patches on his elbows slowly fading away into the darkness.
âWhy not?â
âWell, your overcoat, for starters,â she said. âThatâs enough right there. Sheâd
J.A. Konrath, Bernard Schaffer