taking you away from a class.â
âNo problem. Itâs one of my more civilised groups. The room should still be there when I get back.â
âWhat it is ââ is something Iâll have to work up to. So let me cover my tracks a little by saying â âI was just wondering. Scott must have left some things at the school. I mean, he didnât exactly know that he was leaving. Iâm thinking of papers and stuff like that. Something that might help me to understand what he was going through at the end.â
âItâs possible.â
âI know itâs probably a terrible nuisance for you. But do you think you could check it out for me? Take a look at his room? And see if thereâs anything there at all? That would give us a clue.â
I was trying to read the pause that followed. I wondered if he was going to refuse.
âActually,â he said, âhis roomâs been taken over. You know? Thereâs somebody else in it now. It was a coveted room. Terrific windows for an art room.â
I understood his hesitation. He hadnât wanted to convey to me how quickly Scottâs dying had converted to administrative practicalities. One manâs death is another manâs sunlight.
âSo I think itâs been cleaned out,â he said. âBut Iâll go up there today and have a look. I suppose there might be something.â
âThanks, John. Oh. Thereâs something else,â which I casually mention since itâs why I phoned. âEllie Somebody? Itâs a woman I thought I might try to speak to. But I canât get her second name. Does that name mean anything to you?â
This time the pause was impenetrable. Did he know about Scott and her? Was he instinctively deducing what I had just learned about them? Was he simply baffled by the name? The slowness of his answer, when it came, suggested alien matter caught up in his thoughts, grinding the machinery to a halt.
âWell,â he said. âI donât know. Itâs not an unusual name. But there was a woman who worked here at one time. Ellie. But I donât know if thatâs who you mean. Sheâs left now. Ellie Mabon. Do you mean Ellie Mabon?â
I didnât know. But if all you have are shots in the dark, youâd better check out anything you hit to see if itâs what youâre after.
âI donât know,â I said. âIt could be. Anyway, thanks.â
âAll right,â he said at last, perhaps not sure what I was thanking him for. âIâll see about Scottâs room. Iâll phone you if thereâs anything.â
âIâll be out and about today, John.â
âWell. If I canât get you personally, Iâll try and look in at the Bushfield. Sometime in the evening. All right? I better go and see if the natives are getting restless. Cheers.â
âCheers.â
I put the phone down and went to look for Katieâs phone-book. I could hear someone walking about upstairs and imagined Mike pacing the psychological prison he seemed to have made for himself. The phone-book was behind the bread-bin. With Katie, it would be. We werenât so different from each other as she thought.
I was on my third Mabon before I found an Ellie. The first one hadnât answered. The second was what sounded like an amazingly old man who insisted on telling me about a mix-up with the plumbing in his house. I promised to look into it. The third was at a good address in Graithnock. The voice was brusque but with interesting undertones, like a sensuous body in a business-suit.
âHello?â
âHello. Iâm sorry to bother you. I may have a wrong number here. Iâm looking for Ellie Mabon.â
âSpeaking.â
I knew this was the one. The realisation paralysed my mouth for the moment. She didnât know how closely we were connected, what I knew about her.
âHello?â
âIâm