separator under the porch,
the strolling chickens, the pear trees next to the yard,
the barn full of white cats, the loaded haycart,
the spinney…I saw it rolling on and on.
As it couldn’t, of course. That I had faced
when I made my compulsive return visit
after more than twenty years. ‘Your aunt’s not well,’
said Uncle George – little and gnarled himself –
‘You’ll find she doesn’t talk.’ They’d sold the farm,
retired to Melton Mowbray with their daughter.
‘Premature senility,’ she whispered.
But we all went out together in the car
to see the old place, Auntie sitting
straight-backed, dignified, mute,
perhaps a little puzzled as we churned
through splattering clay lanes, between wet hedges
to Grange Farm again: to a square house,
small, bleak, and surrounded by mud;
to be greeted, shown to the parlour, given tea,
with Auntie’s affliction gently signalled –
‘Her mouth hurts.’ Not my real aunt,
nor my real uncle. Both dead now.
I find it easiest to imagine dying
as like the gradual running down of a film,
the brain still flickering when the heart and blood
have halted, and the last few frames
lingering. Then where the projector jams
is where we go, or are, or are no longer.
If that comes anywhere near it, then I hope
that for those two an after-image glowed
in death of something better than mud and silence
or than my minute study of a patch of ground;
unless, like that for me, it spread before them
sunny ploughland, pastures, the scented orchard.
Letter from Highgate Wood
Your ‘wedge of stubborn particles’:
that silver birch, thin as a bent flagpole,
drives up through elm and oak and hornbeam
to sky-level, catching the late sunlight.
There’s woodsmoke, a stack of cut billets
from some thick trunk they’ve had to hack;
and of course a replacement programme under way –
saplings fenced off against marauders.
‘We have seasons’ your poem says;
and your letter tells me the black invader
has moved into the lymph; is not defeated.
‘He’s lucky to be still around,’ said your friend –
himself still around, still travelling
after a near-axing as severe,
it yet may prove, as yours at present.
I have come here to think, not for comfort;
to confront these matters, to imagine
the proliferating ungentle cells.
But the place won’t let me be fearful;
the green things work their usual trick –
‘Choose life’ – and I remember instead
our own most verdant season.
My dear, after more than a dozen years
light sings in the leaves of it still.
Poem Ended by a Death
They will wash all my kisses and fingerprints off you
and my tearstains – I was more inclined to weep
in those wild-garlicky days – and our happier stains,
thin scales of papery silk…Fuck that for a cheap
opener; and false too – any such traces
you pumiced away yourself, those years ago
when you sent my letters back, in the week I married
that anecdotal ape. So start again. So:
They will remove the tubes and drips and dressings
which I censor from my dreams. They will, it is true,
wash you; and they will put you into a box.
After which whatever else they may do
won’t matter. This is my laconic style.
You praised it, as I praised your intricate pearled
embroideries; these links laced us together,
plain and purl across the ribs of the world…
Having No Mind for the Same Poem
Nor for the same conversation again and again.
But the power of meditation to cure an allergy,
that I will discuss
cross-legged on the lawn at evening
midges flittering, a tree beside us
none of us can name;
and rocks; a scent of syringa;
certain Japanese questions; the journey…
Nor for parody.
Nor, if we come to it, for the same letter:
‘hard to believe…I remember best his laugh…
such a vigorous man…please tell…’
and running, almost running to stuff coins
into the box for cancer research.
The others.
Nor for the same hopeless
Dean Wesley Smith, Kristine Kathryn Rusch
Martin A. Lee, Bruce Shlain