dressed occupants, powdered and patched, their faces made charming and sometimes grotesque with rouge and white lead were in great contrast to the beggars who whined in the alleys and the street traders calling their wares. Here was the lavender seller thrusting the sweet-smelling branches under the noses of passers by; the piemen offering to toss for a pie; the shoe black; the ballad sellers singing their latest offerings often to thin reedy voices; the crossing sweepers ready for a penny to run under the horses to sweep a passage across the muddy roads. It was life as she had never seen it before.
Dorothy was determined that she had come to stay.
They took lodgings in Henrietta Street, which was not very grand, for Dorothy was going to have many calls on her purse; but the whole family was enchanted with London and to be in those streets, Grace declared, just did you good. You knew that this was the only place worth being in.
The theatre was different from anything Dorothy had played in before. Royalty came here quite often, she understood. The Prince of Wales was a frequent visitor and came with his friends, his brothers and his uncles. Sometimes the King and Queen came; then of course it had to be a most moral play. They accepted Shakespeare because everybody accepted Shakespeare, although the King did not think much of it and had been known to refer to it as ‘sad stuff’, but the people expected the King and Queen to see Shakespeare so they saw it.
It was different with the Princes – those gay young men – who were always satisfied by the appearance of pretty actresses, especially in breeches parts.
Then every actor and actress must be thrilled to meet Richard Brinsley Sheridan, for the author of The School for Scandal, The Rivals and The Duenna, the notorious wit and friend of the Prince of Wales was the biggest name in the theatre. And now that he was going into politics and had become Secretary to the Treasury in the Coalition Government and had allied himself with that great statesman Charles James Fox, one could not even compare him with managers like Daly and Wilkinson. Sheridan was as different from them as London was from the provinces.
No sooner had Dorothy arrived in London than she was completely convinced that this was the great opportunity and that she needed all her special gifts, everything she had learned since she had begun, to hold her place there.
She talked over her affairs with Grace and Hester. Her great anxiety was Sarah Siddons.
‘I think I know,’ she said, ‘why they have brought me here. They want a rival for Sarah Siddons, and what worries me is that I can never be that.’
‘Why not?’ demanded Grace indignantly.
‘Because we are not the same type. She has all that dignity; and you must agree, Mamma, that my dignity is more often off-stage than on. She wrings their hearts: I make them laugh. She’s Lady Macbeth; I’m the Romp. There’s room for us both, I’m sure, but I have to make them see this.’
‘You are going to make Mr Sheridan see?’
‘I have to, Mamma. I can never rival Sarah. How could I!She’s already there. They accept her. She’s the Queen of tragedy and nobody is going to jostle her off her throne. As well try to take the King’s crown from him. I’m not going to let them put me into tragedy. I’m going to insist that I choose the play for my début – and it’s going to be comedy.’
Hester said: ‘She’s right, Mamma. Absolutely right.’
‘Do you think they’ll allow you to choose?’ asked Grace fearfully.
‘Surely it’s the right of any actress to choose her first play.’ Dorothy laughed. ‘Don’t be frightened, Mamma. Leave it to me. I’ll make them understand. There’s one thing I’m determined on. This is the great opportunity. It may come only once in a lifetime. I’m not going to miss it.’
It was easier to persuade Mr Sheridan than she had anticipated. With his manager, Tom King, he received her in his office and