steely and bright, it might be, and taut, like a harp-string, or a garotte. They were tied to each other, tied and bound. They felt things in common, pains, emotions, fears. They shared thoughts. They would wake in the night and lie listening to each other breathing, knowing they had been dreaming the same thing. They did not tell each other what was in the dream. There was no need. They knew.
Myles had been mute from birth. Or rather, simply, he had never spoken. The doctors could find no cause that would account for his stubborn silence, and professed themselves baffled, or sceptical, or both. At first it had been assumed he was a late starter and that in time he would begin to speak like everyone else, but the years went on and still he said not a word. Whether he had the ability to speak and chose not to, no one seemed to know. Was he mute or silent, silent or mute? Could he have a voice that he never used? Did he practise when there was no one to hear? I imagined him at night, in bed, under the covers, whispering to himself and smiling that avid, elfin smile of his. Or maybe he talked to Chloe. How they would have laughed, forehead to forehead and their arms thrown around each other’s neck, sharing their secret.
“He’ll talk when he has something to say,” his father would growl, with his accustomed menacing cheeriness.
It was plain that Mr. Grace did not care for his son. He avoided him when he could, and was especially unwilling to be alone with him. This was no wonder, for being alone with Myles was like being in a room which someone had just violently left. His muteness was a pervasive and cloying emanation. He said nothing but was never silent. He was always fidgeting with things, snatching them up and immediately throwing them down again with a clatter. He made dry little clicking noises at the back of his throat. One heard him breathe.
His mother treated him with a sort of trailing vagueness. At moments as she weaved abstractedly through her day— although she was not a serious drinker she always looked to be mellowly a little drunk—she would stop and seem to notice him with not quite recognition, and would frown and smile at the same time, in a rueful, helpless fashion.
Neither parent could do proper sign language, and spoke to Myles by way of an improvised, brusque dumb-show that seemed less an attempt at communication than an impatient waving of him out of their sight. Yet he understood well enough what it was they were trying to say, and often before they were halfway through trying to say it, which only made them more impatient and irritated with him. Deep down they were both, I am sure, a little afraid of him. That is no wonder either. It must have been like living with an all too visible, all too tangible poltergeist.
For my part, although I am ashamed to say it, or at least I should be ashamed, what Myles put me most in mind of was a dog I once had, an irrepressibly enthusiastic terrier of which I was greatly fond but which on occasion, when there was no one about, I would cruelly beat, poor Pongo, for the hot, tumid pleasure I derived from its yelps of pain and its supplicatory squirmings. What twig-like fingers Myles had, what brittle, girlish wrists! He would goad me, plucking at my sleeve, or walking on my heels and popping his grinning head repeatedly up from under my arm, until at last I would turn on him and knock him down, which was easy to do, for I was big and strong even then, and taller than he was by a head. When he was down, however, there was the question of what to do with him, since unless prevented he would be up again at once, rolling over himself like one of those self-righting toy figures and springing effortlessly back on to his toes. When I sat on his chest I could feel the wobble of his heart against my groin, his ribcage straining and the fluttering of the taut, concave integument below his breast-bone, and he would laugh up at me, panting, and showing his moist,
Chelsea Camaron, Mj Fields