I am riding in any limousine that has you in it.â
They march toward the exit ramp with Edgar going last. He turns toward the field on an impulse and sees another body dropping from the outfield wall, a streaky length of limbs and hair and flapping sleeves. There is something apparitional in the moment and it chills and excites him and sends his hand into his pocket to touch the bleak pages hidden there.
The crowd is thinning quickly now and Cotter goes past the last of the mounted police down around 148th Street.
âHey Cotter now letâs be honest. You snatched it out of my hand. A clear case of snatch and run. But Iâm willing to be reasonable. Letâs talk turkey. What do you say to ten dollars in crisp bills? Thatâs a damn fair offer. Twelve dollars. You can buy a ball and a glove for that.â
âThatâs what you think.â
âAll right, whatever it takes. Letâs find a store and go in. A fielderâs glove and a baseball. You got sporting goods stores around here? Hell, we won the game of our lives. Thereâs cause for celebration.â
âThe ballâs not for sale. Not this ball.â
Bill says, âLet me tell you something, Cotter.â Then he pauses and grins. âYou got quite a grip, you know. My arm needs attention in a big way. You really put the squeeze on me.â
âLucky I didnât bite. I was thinking about it.â
Bill seems delighted at the way Cotter has entered the spirit of the moment. The side streets are weary with uncollected garbage and broken glass, with the odd plundered car squatting flat on its axle and men who stand in doorways completely adream.
Bill runs toward Cotter, he takes four sudden running steps, heavy and overstated, arms spread wide and a movie growl rolling from histhroat. Cotter sees it is a joke but not until he has run into the street and done a loop around a passing car.
They smile at each other across the traffic.
âI looked at you scrunched up in your seat and I thought Iâd found a pal. This is a baseball fan, I thought, not some delinquent in the streets. You seem to be dead set on disappointing me. Cotter? Buddies sit down together and work things out.â
The streetlights are on. They are walking briskly now and Cotter isnât sure who was first to step up the pace. He feels a pain in his back where the seat leg was digging in.
âNow tell me what itâs going to take to separate you from that baseball, son.â
Cotter doesnât like the tone of this.
âI want that cotton-pickinâ ball.â
Cotter keeps walking.
âHey goofus Iâm talking to you. You maybe think this is some cheapo entertainment. String the guy along.â
âYou can talk all you want,â Cotter says. âThe ballâs not yours, itâs mine. Iâm not selling it or trading it.â
A car comes veering off the avenue and Cotter stops to let it go by. Then he feels something shift around him. Thereâs a ripple in the pavement or the air and a scant second in a womanâs face nearbyâher eyes shift to catch whatâs happening behind him. He turns to see Bill coming wide and fast and arm-pumping. It seems awful heavy traffic for a baseball. The color coming into Billâs face, the shiny fabric at his knees. He has a look that belongs to someone else entirely, a man out of another experience, desperate and propelled.
Cotter stands there for one long beat. He wastes a head-fake, then starts to run down the empty side street with Bill right on his neck and reaching. He cuts sharp and ducks away, skidding to his knees and wheeling on his right hand, the ball hand, pressing the ball hard in the tar and using it to pivot. Bill goes past him in a drone of dense breath, a formal hum that is close to speech. Cotter sees him stop and turn. He is skewed with rage, face bloated and quirked. A sleeve hangs down from the jacket in his hand and brushes softly