the biscuit tin.
âYou made him look much younger.â
âI was just passing the time.â
He gave me a sharp, inquiring look, nodded and went back to the desk. It was a warning. Iâd have to be careful. And if Lane came north â¦
Cliff Morgan was at the barograph now. He went back to his work at the desk and, watching him again, I was conscious of a tenseness. It showed in the way he paused every now and then to stare out of the window, the quick glances at the wind speed indicator. And then the phone rang. âAll right, Mike â as soon as Iâm relieved.â He slammed the receiver down. âCan I give Colonel Standing a weather briefing? No interest in this office so long as the sunâs shining, but now itâs wet and blowing half a gale â¦â He shrugged. âHave you met Colonel Standing?â And when I told him No, he added, âIâll introduce you then. Alec Robinson said something about your wanting to get to Laerg and for that you need Standingâs permission.â
Prompt at twelve Cliff Morganâs junior came dripping in out of the rain, a quiet, reserved man who gave me a fleeting smile as we were introduced. His name was Ted Sykes. âI hear Ronnie took off. Whatâs his ETA?â
âAbout twelve-thirty. Wind speedâs twenty-five knots â almost a dead-noser.â Cliff Morgan pulled his jacket on and took a tie from the pocket.
âRather him than me,â Sykes said, at the desk now, rifling through the teleprint sheets. âBraddock with him?â
âYes.â
âWell, I hope it keeps fine for them.â He said it sourly. It was obvious neither of them liked it. Cliff Morgan was standing at the desk, tying his tie, staring at the grey misery of the sky. Rain dribbled down the panes.
âThereâs a casualty to be lifted out.â
âSo I heard.â
âKeep your fingers crossed then.â He turned abruptly and got his raincoat, and then we were out in the wind and the rain, hurrying through pools of water to the camp. âBetter not ask for a flight out to Laerg. It means a bloody chit, you see, and they donât like it. Landing craftâs all right. I think Standing would agree to that.â His voice came to me, staccato fragments blown on the wind. âPerhaps tomorrow. But itâll be rough. You a good sailor?â And when I told him Iâd had almost eleven years at sea, he nodded. âThatâs all right then. At least youâll see Laerg as it really is. Funny thing. Iâve never been there. Wanted to ever since I came up here. No time, and now itâs being evacuated â¦â We had reached the Admin. block. âYou might offer to do some sketches of the evacuation. Standing, you see, is not a man whoâs very easy with strangers, but heâs artistic. Paints a bit himself and Iâm told he has some interesting pictures up at his house. Nudes mostly, but not sexy â the real thing.â
Standing was waiting for us in his office, tall and slightly stooped with a thin, serious face and glasses, a tight, unsmiling mouth. He looked a cold, moody man and his long-fingered hands were seldom still, nervously shifting the papers on his desk, toying with the slide-rule or gently tapping. Cliff Morgan introduced me as an artist who wanted to visit Laerg, but all I got was a nod and a cold stare. He had Ferguson with him and he was only interested in one thing, the weather. He listened to what Morgan had to say, his eyes on the window which was tight-shut against the wind. The view was depressing â the brown creosoted back of a hut, a grey waste of sky and the rain driving.
âCan Adams get the man out? Thatâs all I want to know.â Even then he didnât look at Cliff Morgan, but sat staring at the window, drumming with his fingers.
âOnly Ronnie could tell you that,â Cliff answered, and I sensed his