mine?â
âYes,â he said, âYes I will. Yes.â
He took her as the hart mounts the hind, and she cried out in the pain and pleasure of the giving and the taking. He put the seed of a son in her, and then kissed her at the small of her back, behind her womb. âWhat comes of this only God will say,â he said to her. But she only hummed and lay naked on the bank, not even turning to watch him as he plunged again into the flood and swam away. God had not brought him, didnât he know it? No, it was not God but the Hart that would say what came of this; the blood of the Hart, the blood that flowed from her belly even though she had not been a virgin, as though he had secretly pierced her with his knife. What you have made in me, O Palicrovol, she said to her memory of his flesh, what you have made in me I will make stronger than you. I will make him large and strong. Nine children I have born alive, and always my husbandâs own. But this one is not my husbandâs. This one is mine. I will name him Orem, for silver water flowed from his fatherâs body on the morning he was made.
7
The Birth of Palicrovolâs Son
These are the signs that came when Orem Banningside, called Scanthips, called the Little King, was born.
T HE S IGNS OF THE M OTHER
As she lay on her childbed, her eyes swimming with the pain that never eased no matter how often she went through it, Molly saw the midwife lift the baby up, and in the sunlight of early morning that streamed through the spring window of her east-facing house, he gleamed silver to her; covered with the blood and mucus of birth, he gleamed silver as the water from the hartâs mouth.
She held him, she sang to him, she talked to him long before the infant could possibly understand. Silently she told him in every way she could, You are the son of the King, my son, you are born to be great. The words were never spoken, but the child still understood. He learned to walk when he was only eight months into the world, because it did not occur to him that he could not; he spoke boldly from the first word, expecting to be understood no matter what he tried to say. A bright one, all the neighbors said to Molly.
But for two reasons she was not pleased at what they said. For one, she knew that there were other things said as well, for the child did not look like her blond giant of a husband. For another, there were her own doubts and fears. Quickly she learned that when her seventh son was with her, all her subtle powers were gone. Her cooking spells were meaningless when he was in the house, no matter how many dead mice she bled into the hearth. Her loom magics made no pattern in the homespun cloth if he looked on at her labors. The household goms were free here, where once they had been held in the tightest rein of all High Waterswatch.
But the worst was when she made the signs that hid her path from mortal eyes as she wandered off into the wood. He could always follow her, could always see her despite the blood she pricked from her own finger. What have the Sweet Sisters given me? she asked herself in fear. But it was neither God nor the Sisters, she knew, for the Hart had also found her in her secret place, and Orem was the child of the Hart. These were the signs of the mother, and instead of love for her son, she soon felt fear, for he had made her weak, and she had once been strong in her small and vegetal way.
T HE S IGNS OF THE F ATHER
When Molly was in her childbed, Avonap her husband waited impatiently in the other room. Nine other times, six times sonned and three times daughtered, he had waited this way. Nine other times he had felt the same impatience. The fields are waiting, woman, he wanted to cry, the soil has called. Did she not know what a farmerâs work was?
With the soil as with a woman, it was his work to plow, to plant the seed, to tend, to reap. But the corn did not require that he sit and wait in the next room for the