out.â
âHe was even worse when he didnât have a body.â
âWhat?â
âNothing.â
Marlowe holds up his glass for another drink.
âListen, I know buyers with way too much money on their hands. I wonât charge for the reading if you tell me where you got the knife.â
âSure. From a murder scene.â
He shakes his head.
âIt doesnât make sense. Thatâs the first thing I would have felt.â
âBut you didnât and thatâs all I need to know for now.â
âIf you find out who hexed the knife, Iâll pay you for the name.â
âMaybe. I do enjoy the company of money.â
Carlos sets the martini down in front of Marlowe.
When he reaches for it, his hand goes limp. He knocks the glass over. It falls to the floor and he goes down with it, his body rigid and convulsing.
I remember something about turning choking Âpeople on their sides, so I roll him over. Carlos comes around the bar and hands me a small blue bottle.
âGet that down his throat,â he says.
I roll Marlowe onto his back and pry his jaws apart enough to pour in a syrupy orange potion that smells like cat piss and bubble gum.
It takes a minute for the convulsing to stop. I roll him back onto his side and soon heâs breathing normally.
He opens his eyes and looks around, realizes heâs on the floor, and sits up.
âWhat happened?â
âYou dosed yourself, jackass, when you licked the knife.â
âI take back the offer. Keep that thing away from me.â
I get his shoulders and wrestle him to his feet. Thereâs a crowd around us, but Carlos gets them back to their tables and drinking again. I set Marlowe on a bar stool. Carlos gives him a glass of water and he gulps it down. I wait for him to finish.
âDid you see anything when you were unconscious?â
He takes a long breath and lets it out.
âYeah,â he says. âIt felt like I was dying and someone was coming for me.â
âYou mean, like Death?â
He rolls the glass between his hands.
âThatâs the weird part. I knew it should be, I felt like it, but it wasnât Death. It was someone else.â
âYou mean âsomething.â â
âNo. Some one .â
I take the glass out of his hands and set it on the bar.
âYou should go home.â
He looks at me, still woozy.
âIâm billing you for a cab, too.â
âFine. But you owe Carlos for the potion that brought you around.â
He takes out his wallet and slaps it on the bar. The leather is so expensive it looks like it came off an angelâs backside.
âTake what you want,â he tells Carlos.
He turns to me.
âAnd you, get the fuck away from me. Donât talk to me and donât ever bring me any of your poison shit again.â
Carlos already has his phone out. He pushes Marloweâs wallet back at him. I reach over to get it, but knock it off the bar. I pick it up from the floor and hand it to him.
âThereâs a cab on the way,â Carlos says. âKeep your money. The potion is a business expense. Better that than dead Âpeople piled up in the bar.â
Marlowe pushes himself up and starts to go outside to wait for the cab. He stops by the door.
âI saw one other thing, Stark.â
âWhatâs that?â
He steadies himself with a hand on the wall.
âIt knows youâre looking for it. Whatever that knife is, it knows about you.â
Marlowe gives me the finger and goes outside.
Carlos wipes the spilled drink off the bar. I sit down and Brigitte comes over.
She says, âThis is exactly what I was talking about. What just happened isnât something Chihiro should have to hear from me.â
She goes back to her friends and I take out my phone.
âHi,â Candy says after a Âcouple of rings.
âHowâs our friend?â
âWhat do you think? Still asleep.
M. R. Cornelius, Marsha Cornelius